Category Archives: Equipment

B&H Holiday Closure Reminder

A reminder that site-sponsor B&H Photo closes in a few days for Passover, and orders placed after noon EDT on Sunday, March 24th may not ship until they reopen. Here is their statement:

Upcoming Passover Closing

“B&H will be closed from Monday, March 25th in the observance of Passover and will reopen on Wednesday, April 3rd at 9:00AM EDT. Place your order by 12:00PM Noon EDT on Sunday, March 24th in order to ship before the Holiday. Orders placed after this time will ship when we reopen. We apologize for the inconvenience and appreciate your patronage.”

You might want to consider this if you plan to order something in the next week or two or if you have been waiting to take advantage of some of the promotions and bundles that expire at the end of March, including several from companies like Canon, Nikon, Sony, Fujifilm, and more. (See the Deals page for links to some of these specials.)

© Copyright 2013 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fujifilm X-E1: From DSLR to Mirrorless

(March 2014: Fujifilm has continued to update the X-trans cameras since I acquired my X-E1 in the spring of 2013. While this article refers specifically to that model—since updated to the similar but improved X-E2—the experiences recounted here should still be relevant to others looking at the Fujifilm system. For broader and updated coverage also see Taking Stock of the Fujifilm X-E1, X-E2, X-T1 Mirrorless Cameras, and check out links to the Fujifilm line of cameras at lenses at the end of this article.)

Recently I have read a lot of good things about some of the new “rangefinder-style” (a useful though not completely accurate description) or “mirrorless” cameras from Fujifilm. As a result I acquired the Fujifilm X-E1 with a few lenses, and I have now had the chance to start using it a bit. I thought I would share some initial thoughts and impressions now, with more thorough reports later on as I use the camera and lenses more.

Background

I am primarily a confirmed full-frame DSLR photographer – I rely on the versatility of these cameras, their speed, the availability of a wide variety of lenses and other accessories, and especially on the excellent image quality that they can produce. However, one downside of this equipment is that it is most certainly not small nor light, especially once you add some (or all!) of the lenses I like to use.

While much of my photography requires what the full frame DSLR system provides, sometimes I have wished for high-quality but smaller and lighter equipment – for example when doing certain kinds of street photography, for certain types of travel, or when I just want to have a camera with me when I’m out and about. I have used a few of the smaller high end point & shoot style cameras ranging from the Canon S95 back to the old Canon Pro One, and I have looked at quite a few others.

I have heard enthusiastic reports on various cameras, including a number of the four-thirds cameras, but I decided that I did not want to consider a camera with a sensor smaller than APS-C, the size of the “cropped sensor” DSLRs. For my intended use, that level of quality – in terms of resolution, useful range of apertures, low-light performance, etc. – will work quite well. Recently several mirrorless cameras with such sensors have been introduced, and they all have their attractions. What led me to settle on the Fujifilm cameras was the combination of an expanding selection of excellent lenses, their somewhat “retro” design that provides hardware knobs and buttons to control settings, and encouraging reports on image quality.Fujifilm X-E1 Mirrorless Camera

I considered the more expensive Fujifilm X-Pro-1, with its hybrid optical-electronic viewfinder, but decided that for my intended use the electronic viewfinder (EVF) of the X-E1 would likely work. (As I read reports from other users, quite a few reported that they used the optical viewfinder option of the Pro-1 less than they expected.) I did not consider the reportedly-excellent X100 since I want interchangeable lenses.

Initial Impressions

What follows is highly subjective, and some of my initial reactions will likely need revision after I adapt to the camera. Speaking of “adapting,” some of this is perhaps based as much on my familiarity and comfort with my Canon DSLRs as on the nature of the X-E1 itself. I have used my Canon EOS 5D II so much that its operation is very much second-nature for me at this point. I rarely have to think about how to do something on that camera, since the “how” has become more or less instinctive. I’m far from that point with the X-E1, but that is to be expected.  Continue reading Fujifilm X-E1: From DSLR to Mirrorless

Updates – Expiring Deals at B&H and Updated Lens Article

I have two gear-related updates at the blog today:

  1. A number of special deals at B&H expire tomorrow, Saturday, January 5, 2013. These include specials on Nikon, Canon, and Olympus cameras and lenses and kits, along with a Canon ‘Instant Savings’ promotion on a large selection of all kinds of lenses, teleconverters and electronic flashes. See the Deals Page for updated information. (Note that B&H is closed until 6:00 p.m. EST Saturday, so return to the deals page then to place your orders.)
  2. Canon has updated and added new models to their line-up of L “normal zooms” including the 24-70mm f/2.8 L II and the new 24-70mm f/4L IS, which join the 24-105mm f/4L Is. I have updated an older article here at the blog that discusses some of these options so that it now includes the new lenses: Canon 24-70mm f/2.8 L II vs. 24-70mm f/4L IS vs. 24-105mm f/4 L IS

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Post-Processing: A Shadow Recovery Example

(In another forum someone asked a question – actually, more like posed a challenge – related to how much usable detail and quality could be extracted from a raw file that contained areas of very low luminosity, as could happen with a badly underexposed image or with an image of a scene with a very large dynamic range. Since I went to the work of responding and illustrating my response, I figured that I might as well share it here, too. With minor revisions, here it is.)

First, I actually have a “real” version of this photograph in which highlights were slightly blown, but which I preferred to use since I could bring them back in post and get a bit more shadow detail to start with. (It looks a bit bright to me as an on-screen jpg, but it makes a fine print.) That photograph ended up looking like this:

Kolob Canyon, Morning - Morning light slants over the top of sandstone cliffs above early autumn foliage in Kolob Canyon, Zion National Park
Morning light slants over the top of sandstone cliffs above early autumn foliage in Kolob Canyon, Zion National Park

This photograph and the other I’ll move to below were both shot from a tripod with a Canon EOS 5D Mark II at ISO 100 using the Canon EF 24-105mm f/4L IS at f/16. While the “keeper” used for the photograph above had a 1/4 second exposure, the example I’ll use below was shot at 1/30 second.

The exposure challenge in this scene was the very large dynamic range between the bright spot of sky at the head of the canyon and the much darker colorful foliage in relatively deep shadow in the foreground. Exposing for optimal quality in the foreground would completely blow out the sky, while exposing for the sky would necessarily grossly underexpose the foreground.

I originally thought that I might like to have four bracketed exposures in case that would let me produce a better final image via layer blending, but it turned out to be unnecessary and the final image (as shown above) has a single source file with no blending. However, this means that I still happen to have one very badly underexposed (by three stops) version at 1/30 second which I’ll use here as the starting point for what I plan to illustrate in this post. Follow along with me and see what I can do with the very underexposed version of the file… Continue reading Post-Processing: A Shadow Recovery Example