Category Archives: Equipment

Electronic Flash and Landscape

The Strobist has a piece today that hits two of my interests, landscape and night photography, and ties them together with the use of strobes and light painting.

Using Speedlights with Landscapes – You might not think a small flash — or even a flashlight — could make such a big difference in a landscape photo. But the trick is waiting for the ambient to come to you, and being selective about what you light. [Strobist]

Follow the link for the full post and photographic examples.

While I have done a bit of “light painting” in my night photography, I’m not a “flashy kind of guy” myself. However, I’m becoming more intrigued after following the Strobist for the past month or two. If you don’t already subscribe to their news feed, I recommend it. Visit The Strobist to find out more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Price of Compact Flash Cards Continues to Drop

Declining memory prices are hardly headline news, but these prices are quite interesting: under $43 for 8GB CF cards and under $69 for 16GB (!) CF cards. (Does anyone know if I can even use a 16GB compactflash card in my 5D?)

Every so often someone opines that moving to a higher MP count camera doesn’t make sense, asking “how will you afford the memory to handle those giant files?” The answer is that the memory gets cheaper and cheaper all the time. Hard drive prices have dropped a lot recently, and 500GB drives are now regularly available for around $100. I haven’t done the math to prove it, but I have a hunch that the cost of storing one image from a 16MP DSLR is now probably less than what we paid to store a single image from a 4MP camera a few years ago.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lexar CompactFlash Reader and Customer Support

I’ve been using a nice little Lexar Firewire CompactFlash Reader to transfer files to my computer. Last week, after a computer upgrade, the reader stopped working. Since I’ve been through the upgrade cycle many times I contacted Lexar to let them know about the issue and find out about updates.

The reply was basically, “Go buy a new one” and “contact our sales department to get the right one.”

Does Lexar miss the irony in their email message? It tells me me that since Lexar doesn’t support its products I should buy another Lexar product. I paid (a lot) more for the fancy Lexar reader when I made my original purchase, assuming that I’d get a more reliable product and better support in return.

I won’t buy any Lexar products in the future. Instead, I think I’ll just go for the cheapest no name comparable products and accept their shorter life spans.

Lens Protection: Ultraviolet (UV) Filter or Lens Cap and Hood?

(This has become one of the most-read articles at this site. For some reason, the question of whether or not it makes sense to add these little filters to your lenses generates a lot of interest… and sometimes a lot of lively debate. Portions are now a bit dated — the article comes from 2007 — but the general concepts discussed here still hold. From time to time I make small updates based on new information or questions that have come up. Note that there are links to a couple of related posts listed near the end of the article.)

Sellers sell, and some buyers buy, ultraviolet (UV) filters for their cameras. The main advantages are said to be twofold: some reduction of haze that is invisible to the human eye but which the camera purportedly might register, and some protection for the front element of your lens.

On the other hand many photographers wouldn’t think of putting an extra layer of unnecessary glass in front of their lenses. They would rather accept the (rather small) possibility of a scratch on the front element of a lens than possibly reduce the quality of their images, and/or they prefer to protect the lens by using a lens cap and lens hood.

I’m in the latter camp. I no longer use any UV filters* and I can think of darned few situations in which I’d want to use one. (One possible exception being the use of fully-sealed lenses on which the seal is completed by adding a front filter – and here only if I were to use the lens in an extremely hostile environment and with a fully environmentally sealed camera body.) My preference is to handle my camera and equipment relatively carefully, keep the gear protected when not actually using it, use a lens cap, and to almost always use a rigid lens hood.

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