Diablo Valley College is using a photo of mine taken on a 2004 Sierra Nevada pack trip that passed through the Rae Lakes area. The scene shows a peak called Painted Lady with a bit of one of the Rae Lakes in the foreground.

My backpacking buddy Owen Lee is a member of the music faculty at DVC and the conductor of one of the groups featured at this performance – and he was on the trip with me when the photo was taken.

As a photographer, one can have mixed feelings about the use of a photo as background behind text on a poster, but I think it works in this case.

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New York Times:

Records have continued to be broken steadily. But until last year, when a contemporary photograph by Richard Prince sold for $1.2 million at Christie’s, no single print had ever broken the six-figure barrier at auction. So when Sotheby’s announced this week that “The Pond ˜ Moonlight,” a platinum print by Edward Steichen owned by the Metropolitan Museum of Art, had sold for almost $3 million to an anonymous buyer, it was as if continents had shifted in the photography world.

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From SFGate: Parcels near 2 of his homes about to be sold

A coalition of neighbors who live in the sprawling homes that surround the land, along with environmentalists and Adams admirers has formed in hopes of preserving the property and one day turning it into the Ansel Adams Grove — a place where visitors could stroll, see the homes, be surrounded by the nature that inspired Adams and visit a monument that pays tribute to the native San Franciscan who many have no idea ever stepped foot in the city.

“Nobody knows he’s from San Francisco,” said Tom McAfee, a neighbor who is leading the charge to have the land preserved as open space. “There’s no memorial anywhere. There’s no designation … most people figure he was probably born in Yosemite or New Mexico.”

But their dream to dedicate the land to Adams may be just that.

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Konica Minolta today has announced their intention to stop the manufacture of film and digital cameras, as well colour film and paper, by March 31, 2006. [Rob Galbraith DPI]

Probably inevitable, given the difficulties of transitioning to a filmless, digital world; Minolta’s initially smaller market share; and the head start of Canon (huge) and Nikon (pretty big) – but still sad news.

The first decent camera I purchased was the old Minolta SRT-101, a fine camera back in the days of film. Since then – and even quite recently – Minolta came out with some equipment that was arguably better than the competition. Although I don’t own one and, in fact I purchased a competing product a while back, the A2 is a great example. This 8 megapixel digicam is small, has good optics for this type of camera, and included a novel image stabilization system that moved the sensor rather than lens elements. This system made it into their DSLR line, but it was probably too late by then.

(Update: I see in another article that KM sold some assets to Sony for use in SLR cameras. This creates some hope that the good features of the KM cameras may live on in offerings from Sony.)
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