Cymbals on a rack, ready for use at a Symphony Silicon Valley rehearsal
The percussion section of a classical symphony orchestra, especially when somewhat modern music is performed, can be a rich source of photographable objects, shapes, colors, texture, and reflections. Between pieces, or during breaks, I get to stalk the stage and have free rein to wander around that find and photograph these interesting objects.
The subject here is pretty straightforward. When not being played, cymbals are kept safely (and quietly!) stashed on covered tables or in holders. Here a line-up of multiple cymbals was in racks, waiting to be picked up and played.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Cellist Louella Hasbun practices backstage during intermission at a performance of the Symphony Silicon Valley
I’m going to make this partial a story about photography and partially a story about musicians—but first some quick background. I have been an “embedded photographer” with two classical music performing groups since the fall of 2012 while working on a project that will continue through the fall of 2014. The nature of the project is a bit of a long story, so I won’t go into the details here, except to say that I am fortunate to have what must be nearly unprecedented access to the world of these wonderful artists. I like to think that the lengthy time I have had to work with them has let me develop a special affinity for them and what they do, and I think that it has also allowed them to come to trust me and what I’m going as I photograph them. There are few endeavors that regularly exhibit the same level of physical, mental, and aesthetic focus and energy as music. There is a raw power in watching this when scores of performers work together in an orchestral performance, but there is also a very special power in the intense inward focus on individual performers, too.
As I have worked with the orchestras I have learned a lot of practical things about how to photograph them. Some are simple and mundane—such as what equipment works well for my approach. Others are a bit more complicated to explain—such as how to anticipate and capture momentary expressions that come and go so fast that they are perhaps not seen by those who don’t know to look for them, or how to photograph musicians in moments of peak engagement, or how to use stage and backstage lighting to best advantage, or how to see a short-lived moment and quickly make a photograph in poor light and without intruding on that moment. This photograph perhaps illustrates the last two of those points. Over time I have learned to look for what I think of as “pools of light” in the backstage environment. Much of this environment is quite badly lit, both in terms of the levels and the quality of the light. But there are a few spots that I have found where a small area may fall under a work light or similar. I watch these areas intently, and any time someone “lands” in one of them I watch to see if a photograph develops. For a moment, this cellist sat in one of those “pools of light” and, focusing inwardly, practiced intently for a few moments. It is almost like photographing wildlife, and I had just an instant to find a composition and make a few exposures before the moment was over.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
This is one of the photographs from my three-year project photographing professional classical musicians. As part of the project, which is now in its second year, I have been “embedded” with the Symphony Silicon Valley (the descendent of the former San Jose Symphony). Most of my photography has been during rehearsals, when I can work fairly freely backstage, photographing musicians in ways that they are not usually seen. Most people have a limited familiarity with classical musicians, mostly seeing them from a distance in performances when they are formally attired. One of the goals of the project is to show aspects of their lives and work that are not seen as often – the rehearsals, what goes on backstage, even what they do between rehearsals and concerts.
There is a lot of photograph in this world! I’m fortunate not only to have the cooperation of this wonderful group of musicians (thanks SSV people!) but to be personally very familiar with this world. My training is in the field of music. At one time I played professionally, and at another point I worked as an orchestra stage manager. So I have developed some sensitivity to music and musicians that might be difficult for other photographers to achieve. Many interesting things happen so quickly that you might not even see them if you did not know to look. The work of the conductor is but one example. From instant to instant the conductor’s facial expression changes, sometimes radically, to both respond to and anticipate changes in the music. The position and motion of the hands and, for that matter, the whole body, conveys important but fleeting cues to musicians. I studied conducting a bit at one time, but I think I have learned more about it in the past two years by closely watching and becoming aware of the visual elements of the conductor’s work. Layered on top of that is the basic photographic need to be constantly aware of light, both in the technical and expressive sense, and how to place the subject in a context that “works” visually. This is a very different sort of work that photographing landscapes, but it is equally challenging and rewarding!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Principal double-bass Bill Everett practices backstage at a concert of the Symphony Silicon Valley
This photograph of principal double-bassist Bill Everett practicing backstage at a concert of the Symphony Silicon Valley is among my favorites so far from my three-year project photographing professional classical musicians. During this project I have extensive access to the performers and backstage areas, and I’m attending many rehearsals and concerts – so many and over such a long period that I am able to develop personal relationships with the musicians, find and use interesting little bits of stage lighting that others might miss, and learn to see and photograph elements of the musicians’ work that others might miss.
As I have worked the rehearsal and performance halls I have gradually learned a lot about subtle lighting opportunities in the backstage areas. I know keep an eye out for people who wander into this prime light spots, and when I see them there I quickly take advantage of the opportunity. Bill had, likely with no conscious thought, located himself directly between a backstage work light and essentially cast a vertical spotlight on him and his instrument. I stood nearby with a medium long lens and was able to make several photographs of him as he focused his attention on a bit of music from the performance.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
