Category Archives: Reviews

SF Gate Reviews ‘First Light – Five Photographers Explore Yosemite’s Wilderness’

I see that Carl Nolte has offered a review of “First Light – Five Photographers Explore Yosemite’s Wilderness,” a book featuring the work of Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne and Keith S. Walklet.

If you are a Yosemite aficionado, someone who loves the Sierra back-country, or a lover of great landscape photography, I recommend this book. The five photographers have a tremendous amount of experience in the Yosemite back-country, and all five are talented and highly-regarded photographers in their own right. (I’ve been fortunate enough to spend a bit of time with them “on location” in recent years.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light: Five Photographers Explore Yosemite’s Wilderness

This post is a book recommendation and a short story about a recent short pack trip in Yosemite.

Earlier this year Heyday Books and the Yosemite Association published First Light: Five Photographers Explore Yosemite’s Wilderness. The five photographers are Charles Cramer, Kark Kroeber, Scot Miller, Mike Osborne, and Keith Walklet. Between the five of them, I wouldn’t be surprised if they have well over a century of experience in the park exploring, working, and doing photography – it is hard to imagine a group of people with more intimate knowledge of the park and especially of the backcountry. (To give you an idea, the experiences of these photographers range from apprenticeship with Ansel Adams to years of work as a Yosemite Park ranger and much more.)

I don’t think there is a single shot of the typical “Yosemite icons” in this book – this is an exploration of images from the back-country and the photographs interpret scenes and experiences that most park visitors don’t get to share unless they take the time to leave The Valley and park roads and set themselves free on high country trails. Those who already know the back-country will identify quickly with the photographs in the book; those who have not experienced the Yosemite high country will get a wonderful introduction to the 95% of the park not experienced by most visitors – the best part of the park in my view.

The book is available from a number of sources including Heyday Books and should be available from the Ansel Adams Gallery, which had and may still have autographed copies for sale.

It has been my good fortune to know Charles “Charlie” Cramer over the years – in fact, Charlie played organ at our wedding! More recently I have twice been able to arrange my backpacking adventures so that I could run into the “five photographers” during their annual photographic expeditions into Yosemite. Last summer I planned to meet up with them at Fletcher Lake. I packed myself in for a few days but didn’t see them, until a few days into the trip when I was shooting above Townsley Lake. I spotted a heavily laden hiker approaching quickly around the side of the lake carrying so much stuff that I figured he must be a backpacker – but it turned out the be Keith Walklet, who seems to travel with a lot of gear! I found out that they were camped at Booth Lake, just below Fletcher, so I stopped by briefly the next day as I started my hike back to the trailhead.

This year I again scheduled a trip so that I could meet up with them briefly. They were camped out at upper Cathedral Lake for a week, and I managed to join them for two days. As one who often travels alone in the back-country and who has to minimize gear in order to keep the weight down, I have to say I appreciated arriving at their camp to find an extra chair that I could sit on as everyone sat around during the midday hours killing time between morning and evening photography! On the day I arrived they were having dinner at 3:15 p.m. so that everyone could be off looking for photographs by 4:00 p.m. or so. Everyone headed off to shoot and it wasn’t until way after dark that all came back to camp. The process essentially reversed in the morning – everyone was up and gone an hour before sunrise, and the group didn’t reassemble until mid or late morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canon EF 35mm f/2.0 Lens

I almost titled this post “In Praise of Cheap Little Lenses” – but that would have been inconsistent with my other lens report posts, so I’ll leave the title as is.

I recently picked up a copy of this lens for several reasons. First, it is very small and light, and there are times when a single slightly-wide prime can be just the thing. It is also fairly inexpensive, especially compared to other Canon alternatives. On top of that it is a fine optical performer, especially if you use it where it is strongest – shooting at relatively small apertures on full frame and/or using it as a essentially a “normal prime” on a crop body.

I have had a few weeks to use mine now. I’ve mostly used it for landscape photographs where I had some flexibility to compose the shot by moving forward/backward or in which the 35mm focal length turned out to be exactly right. (In some cases I first did the shot with my 24-105mm L zoom, and when I noticed that I was at 35mm I switched to the prime.) In general terms the optical performance of this little lens is quite decent, but when stopped down to f/8 or smaller it really shines – it is capable of producing photographs with very good resolution.

Are there any negatives to this lens? Of course, but for my purposes none of them are “deal breakers.” The AF system of the lens is (notoriously) noisy. Users have described it as sounding like “buzzing bees.” I don’t think it is that bad, but it is not as quite as most other Canon lenses. In addition you must move a switch if you want to focus manually rather than rely on autofocus – other more modern lenses will let you do either with out choosing between them. Its performance wide open is nothing all that special. Finally, it is a small and cheap looking lens! But that doesn’t really matter, as far as I’m concerned. I’m far more interested in what it does than in what it looks like.

One interesting note… Canon makes a much more expensive and highly regarded 35mm f/1.4 L lens. Some who think they need the “best” go straight for that excellent lens – but not everyone will benefit from that choice. While the f/1.4 L is reportedly a very fine lens and excellent at the larger apertures, if you don’t need f/1.4 it may provide no real advantages at all. For example if you mainly need a 35mm lens to shoot stopped down there is little or no advantage to the more expensive lens. Tests I’ve reviewed suggest that the f/2 cheapie produces equivalent IQ at the smaller apertures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lowepro Rover Plus AW Review Updated

Earlier this week I realized that my review of my Lowepro Rover Plus AW pack had not been updated since I first wrote it – two years ago and after having just purchased it. Since I’ve now used this pack extensively on the trail for over two years I decided it was time to update the article.

(For those who may not know, this pack is designed for use while hiking, etc. and can carry a fair amount of photo equipment along with non-photographic gear – all of which means that I use it quite a bit for landscape and other photography done on foot.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.