Wolfe

Wolfe
An old eating establishment in a rapidly gentrifying area of San Francisco

Wolfe. © Copyright 2019 G Dan Mitchell – all rights reserved.

An old eating establishment in a rapidly gentrifying area of San Francisco.

Today you get a San Francisco photograph — since that’s where I’ve been hanging out for most of the past week or so. I am a member of Studio Nocturne, a group of photographers who do night photography. The group has a history going back several decades, and I’ve been working with them for the past decade or so. My night photography has evolved over that time — back in about 2003 when I first explored the genre I was photographing what I think of as “industrial landscapes” of abandoned industrial sites. More recently I found that small digital cameras allow me to photograph with a handheld camera in urban settings, and I’ve been adding night street photography to the mix.

To get back to this building… our open studio was in the Potrero district, at the edge of an area that has long housed things like warehouses, industrial concerns, and so forth. Like pretty much all of San Francisco, this area is rapidly losing its former character as it is taken over by condominiums and newer business that serve the new residences. This place, whose signs describe it as a place to get sandwiches, undoubtedly once served the working folks in the area, and time will tell whether or not it manages to find a clientele among the new residents. Meanwhile, when I’m in “The City” I make a point of photographing these places, many of which may no longer be there in a few years.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Solo Aspen

Solo Aspen
One bright autumn aspen tree against a dark forest background

Solo Aspen. © Copyright 2019 G Dan Mitchell – all rights reserved.

One bright autumn aspen tree against a dark forest background.

For a long time I have thought about how photographers attempted to convey the entirely color-focused nature of autumn trees and leaves using black and white photography. It isn’t impossible, but it isn’t easy. We are so attuned to the fact that the colors — green, red, orange, yellow, brown — define the subject at this time of year, that it isn’t easy to see them black and white.

So, here is an attempt. I photographed in black and white for a long time before I worked much in color, and I don’t have many photographs of autumn subject from that period, at least not photographs that focus on the color change. In truth, this photograph began in color — both literally as an image captured with a color digital camera and subjectively, as I began the post-processing work in color. While experimenting with various ways of handling color saturation (along with handling the much darker background behind the prominent tree) I happened to lower the saturation slider to zero. Hmmm… that looked interesting! So I went a bit further, using other more sophisticated ways of exploring a monochromatic interpretation, and this is where I ended up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Layered Groves

Layered Groves
Parallel rows of Eastern Sierra Nevada aspen trees in varying stages of color

Layered Groves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Parallel rows of Eastern Sierra Nevada aspen trees in varying stages of color.

So, how good has this Eastern Sierra autumn color season been… or not been? To be honest, that is a tough question to answer. If it was the first time you’ve been there for the annual changing of the aspen (and other vegetation) and you got to the right spots at the right time in the right conditions… there’s every chance that you found it to be incredible. And, to be honest, even when the entire range doesn’t light up with autumn color, you can find great color in the area you are visiting and all is good. After seeing quite a few autumn color change cycles in the Sierra, for me this one was just OK. But, odd as it may sound, that has its pluses, too. One of them is that it gives me good reason to look more closely and to look in different places… and to remember that the experience of autumn is not just about colorful leaves.

I visited this spot a couple times during the eight days I spent in the Eastern Sierra over a period of a couple of weeks. On my first visit most of the trees were still green, and I had looked forward to returning a bit later when those green trees transitioned. Surprisingly, when I returned perhaps a week later I found that most of the trees here had already lost their leaves or that the leaves had simply turned brown. But I don’t give up easily! Late in the day, with the low-angle light coming from the right direction, it was possible to frame compositions that juxtaposed the bare trees with those that still held some color. I made this photograph just a few minutes before the sun dropped behind the Sierra crest to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bare Aspen Grove

Bare Aspen Grove
A grove of small and nearly bare autumn aspen trees

Bare Aspen Grove. © Copyright 2019 G Dan Mitchell – all rights reserved.

A grove of small and nearly bare autumn aspen trees.

We went to this location on a very early morning during the first half of October, a morning whose cold temperatures reminded us in the clearest terms that summer had now passed. I selected the spot for a couple of reasons: it can provide a beautiful long view of a section of the Sierra Nevada crest at dawn and there are aspens in the non-Sierra location. As the sun came up we discovered that wildfire smoke and clouds to the east would make this dawn less than the most spectacular we had seen. The sun also revealed that most of the aspens here had already lost their colorful leaves, despite the relatively early date.

If you are out there photographing enough you’ll find that the days of stupendously beautiful conditions are counterbalanced by other days that are less spectacular. (The good news is that if you are out often enough you will find the former enough to excuse the latter!) This was, at least in terms of what I originally had in mind to photograph, a morning that didn’t provide what I had hoped for. Yet, in many such situations, a look around and will frequently reveal something else, sometimes unexpected, that may make a worthy photograph. Immediately below our position on small ridge the aspen forest descended a small valley, and as I looked more closely at the nearly-leafless trees I feel that the groves of stark, bare trunks might be a good subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.