Tag Archives: 100-400

Deals and Sales, Equipment

Canon 100-400mm f/4.5-5.6L IS II Lens Announced

Leave a comment

(Updated) Canon has announced the long-rumored replacement to the venerable 100-400mm L lens. It is the EF 100-400mm f/4.5-5.6L IS II.

Canon 100-400mm f/4.5-5.6L IS II
Canon 100-400mm f/4.5-5.6L IS II

The lens it replaces has been a very valuable “go to” lens for many photographers who wanted more reach, a reasonably small package, good optical quality, and the flexibility of a zoom. I’ve been an enthusiastic user of the older version for some time now.

Recently Canon has updated or augmented their lens line-up to improve the offerings in certain categories. For example, earlier this year they introduced their ultra wide angle zooms by adding a new EF 16-35mm f/4L IS lens. That lens has been a real success, not only adding image stabilization to lenses in this class for the first time, but also providing excellent resolution across the frame — more so than either of the lenses that many photographers used before it was introduced.

For some time, many have felt that there was a lot of potential for updating the 100-400. Although it is good performer in many ways, there has been room for improvement. More modern IS systems can provide up to 4 stops of stabilization, while the older lens only provides perhaps two. The older lens has good image quality, but it could be better in keeping with more recent lenses from Canon. In fact, rumors about the introduction of the updated 100-400mm zoom have been floating around for years.

We don’t know what the optical performance of the new lens will be yet. As I write this I have seen no real reviews. (I have seen some “reviews” that are mostly lists of specifications and speculation.) When we do see them, it will not surprise me at all if this lens provides valuable improvements in the same way that the 16-35mm f/4 has. Here is some of what we do know from Canon specifications:

  • Rather than the “push-pull” design of the earlier lens, this one has a more familiar rotation ring to change the focal length.
  • As was the case with the older model, the front of the lens extends as you zoom. This means that the lens is more compact when packed.
  • Image stabilization has been updated to provide up to four stops of stabilization — especially important with longer focal length lenses.
  • Other features include 9 blade diaphragm, the familiar 77mm filter thread diameter, and more.

The list price of the lens is $2,199. That may seem like a lot of money, but if it provides the sort of image quality we all expect it is actually a rather good deal for a lens with these capabilities.

Update: I have now had a chance to look at the MTF charts for the new lens (available at the Canon web site) and they suggest that the new zoom should be a very good performer in terms of image quality. The chart suggests better image quality than the existing 100-400 (which is quite decent) and the 400mm f/5.6 prime.

I expect that this lens will be in short supply at first — for the usual reasons related to any new product introduction, but also because of a pent-up interest in the update. The lens has been announced but is not yet available — though you may preorder it if you want to be first to get one.

As for me, there is a very good chance that I will get a copy of this lens before too long. In fact, I’m leaning more and more towards placing a pre-order — something that I rarely do.

© Copyright 2014 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Equipment, Technique

Thoughts About the Canon EF 100-400mm f/4.5-5.6L IS Lens

17 Comments

(This is another post based on something I wrote elsewhere as a response to a question about this lens – I’m re-sharing it here with minor editing.)

I’ve used the Canon 100-400mm f/4.5-5.6L IS lens  a lot – for things as varied as handheld shooting of bicycle races and tripod-based landscape photography. Over time I’ve developed a few thoughts about the performance of this lens and some of the comments that I frequently hear and read about it.

First, especially from my tripod-based work, I have found that the lens is capable of very good performance in terms of image quality – e.g. “resolution.” This is true at all focal lengths, but more so perhaps at some than at others. To give one example, I also own the f/4 IS 70-200mm lens. At one point I tended to always switch to the shorter lens when shooting in the range up to 200mm, concerned about a potential sharpness hit with the 100-400. Over time I figured out that while the 70-200 is probably a very tiny bit sharper here, in most cases the difference in many kinds of shooting is insignificant and invisible in real-world output – and in many cases where I would have switched lenses I now leave the 100-400 on the camera. Continue reading Thoughts About the Canon EF 100-400mm f/4.5-5.6L IS Lens →

Equipment, Ideas, Photographic Myths and Platitudes, Technique

Photographic Myths and Platitudes – ‘Landscape Photography Lenses’ (Part I)

33 Comments

(NOTES: This article has been updated periodically since its original publication, including a more significant update in 2019. And, yes, there is a Part II.)

A recent discussion got me thinking once again about another “myth” of landscape photography, namely that [i]some lenses are appropriate for landscape photography and other lenses are not[/i]. There are several such myths, including but not limited to the following aspects: focal lengths, zooms versus primes, maximum apertures, expense, etc. While I could have a lot of fun (or not!) starting with the zoom/prime question, I have saved that for Part II. (Short preview: I think that “zooms or primes?” may be the wrong question, the image quality implications are not as simple as you might think, and I use both… but tend more and more to rely on zooms.)

Instead, I’ll start with…

Focal Length

The trigger for this was a discussion of the suitability of a certain type of lens for landscape photography. I had made a point concerning a 85mm prime that I sometimes used, and the other party disagreed with my perspective. Several rebuttals to my thinking were offered, but the one offered as a sort of trump card was that using a 85mm lens for landscape is an inappropriate choice, and one should use a wide-angle zoom like a 16-35mm lens.

While many landscape photographers know better, especially those who have done this for a while, it is surprising how many folks assume it to be accepted wisdom that proper landscape photography is done with ultra-wide to perhaps normal focal length lenses, and that the first and perhaps only lens that a landscape photographer would want would be such a lens. (Again, I’m not getting into the prime v. zoom question here – I’ll save that fun topic for a later post. :-)

In my view, the best answer to the “what focal length is best for landscape?” question is the focal length that works best for the photograph I am making right now. My current kit, based on full frame DSLR bodies, covers focal lengths from 16mm to 400mm — technically 560mm if I add a 1.4x TC. While I frequently work with less than the full kit (when backpacking, for example), when I’m not constrained by weight or other limitations I carry lenses to cover this full range and typically use most or all of them. What follows is an overview of some of the lenses I use, accompanied by some photographic examples and a bit of explanation. Continue reading Photographic Myths and Platitudes – ‘Landscape Photography Lenses’ (Part I) →