Tag Archives: orchestra

Conductor Karen Kamensek

Conductor Karen Kamensek
Conductor Karen Kamensek

Conductor Karen Kamensek. San Jose, California. May 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Karen Kamensek conducts the Symphony Silicon Valley

From my ongoing project photographing classical musicians that their world, this photograph of conductor Karen Kamensek comes from a recent performance of the Symphony Silicon Valley, one of the groups I have been working with. (One reason for this project is my hope to expose people who are not familiar with this world to a bit more of its reality, ranging from the sometimes mundane aspects of the work to the aspects that reflect the intensity, dedication, and incredible work that isn’t so easy to see directly.)

All performers in this world distill their technical skills and emotional/aesthetic focus to levels not often experienced by those in more prosaic lines of work. If you have the opportunity to watch closely—as I have, both as a former performing musician myself and now as a photographer—you begin to see subtleties that are difficult if not impossible to see from the audience during a performance. Or, people might see them, but only small parts of them and only for brief moments. The conductor provides a more visible example of what can be seen among all of the performers. A huge number of factors are simultaneously at work—tempo, expression, technical issues of timing and balance and intonation—and all of this unfolds rapidly and inexorably as the music moves forward in time. And the conductor must express (or, often, over-express) all of these things visually, often simultaneously signaling things about to happen, being in the moment of things happening now, and even responding to things that have just occurred.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Double Bass, Backstage

Double Bass, Backstage
Double Bass, Backstage

Double Bass, Backstage. San Jose, California. May 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley

This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I “stalk” those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.

This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the “industrial” surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I’m fascinated by what an instrument is and what it isn’t. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can’t otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really “primitive” technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wendell Rider, French Horn

Wendell Rider, French Horn
Wendell Rider, French Horn

Wendell Rider, French Horn. San Jose, California. May 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Wendell Rider, French Horn, performing with Symphony Silicon Valley

Today, another photograph of musicians. Anyone seeing a theme here yet?;-) This is a recent photograph from my three-year project photographic classical musicians. I virtually always work in low light, backstage, and during rehearsals and concerts. While working to be discreet, I often photograph through gaps in the orchestra shell, between music stands and instruments, and in very dark backstage areas.

Over time I have found some ways to accomplish this often challenging photography. I use long lenses to isolate subjects against a blurred version of the often complex backgrounds of the orchestra environment. I look for juxtapositions of performers, instruments, and perhaps other on-stage objects. I almost always shoot wide open, allowing backgrounds to blur. And much of the shooting is work of opportunity—I see a momentary opportunity and then I work quickly to capture it. Here I found that I had a decent view of the French horn section through a gap in the orchestra shell wall. A long lens allowed by to isolate the main subject and a large aperture threw the background out of focus.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cymbals

Cymbals
Cymbals

Cymbals. San Jose, California. May 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cymbals on a rack, ready for use at a Symphony Silicon Valley rehearsal

The percussion section of a classical symphony orchestra, especially when somewhat modern music is performed, can be a rich source of photographable objects, shapes, colors, texture, and reflections. Between pieces, or during breaks, I get to stalk the stage and have free rein to wander around that find and photograph these interesting objects.

The subject here is pretty straightforward. When not being played, cymbals are kept safely (and quietly!) stashed on covered tables or in holders. Here a line-up of multiple cymbals was in racks, waiting to be picked up and played.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.