Tag Archives: overview

Photographs: Architecture, Photographs: Spain, Photographs: Travel

Rooftops of Cordoba

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Rooftops of Cordoba
Rooftops of Cordoba, Spain, photographed from the tower at the mosque-cathedral.

Rooftops of Cordoba. © Copyright 2023 G Dan Mitchell.

Rooftops of Cordoba, Spain, photographed from the tower at the mosque-cathedral.

One of our main reasons for visiting Cordoba, Spain was to visit the famous mosque-cathedral. It is a spectacular site, and I recommend a visit. (I also recommend not going when the weather is like that we encountered — something like 111 degrees!) The mosque portion is astounding. If I recall correctly, at one point it was up to a size that could handle 40,000 worshippers! It stands in sharp visual contrast to the cathedral that was later constructed in the center of the mosque — a light and air structure that towers above.

We began our visit with the climb to the top of the tower along the perimeter of the grounds. Fortunately, we went somewhat early on this hot day, before the temperature really rose. The view from the tower is spectacular. It obviously overlooks the mosque-cathedral grounds, but it also reveals wider views of the city and its surroundings. This photograph looks down and away from the mosque-cathedral, into an area of residences and streets lined by businesses. One striking impression of this city is from the buildings which are predominantly white instead of colors often found elsewhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Commentary, Site News

All of My 2011 Photographs. Yes, All of Them. Really.

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Everything from 2011…

This youtube video includes all of the photographs posted at my blog during 2011.* Yes, all of them! The photographs appear more or less in the order they were made, so this forms a sort of year-long overview. Since it does include everything, there are going to be a few, uh, slow moments in the video. (I do not recommend viewing at full screen size on large monitors since the original images used in the video were relatively small.)

If this is a slow day for you, you could even watch the whole thing!

I put this together while doing initial work on the 2001 Favorites list, an annual project of assembling a set of what I regard as some of my best work of the past year. I have some ideas about which images will make the cut for that more limited set, but I’d love to hear your opinions about what you think should be included, too. I’ll post the “finalists” for the 2011 Favorites sometime in the next week or so.

* OK, I made a lot more photographs in 2011 than what you see here. But most will never be seen in public. :-)

(Update: A few people asked “why no music to accompany the photographs?” This brings up a whole series of thoughts that I should explore in depth at some point, but which I’ll mention briefly for now. Let me get the easy one out of the way first – this wasn’t meant to be a “real” production. It was just a way for me to string together a large number of images as part of my own review of my 2011 photographs. On to the more complex issues…

Some of you may know that my academic training is in music. So, for me, adding music to images is not a simple thing – I’m afraid that I’m cursed with thinking “too much” about what it means and how it works together. For me, the idea of just “adding some music” is not a simple idea at all. In fact, it raises some questions about why we think that individual photographs are worthy of consideration in silence… but sequences of them seem to raise expectations that a musical accompaniment will be provided. Finally, given the diverse images in this large set it is hard for me to come up with a meaningful musical accompaniment that somehow ties in with the images in more than a random way. I suppose that I really need to compose my own… )

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Technique

How I Sharpen – An Overview

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(I originally wrote this article way back in 2009. Some portions were revised in February 2019 to reflect changes to sharpening tools and some different ideas I have developed regarding sharpening settings. It was updated and modified again in 2023.)

I just posted something elsewhere about how I sharpen for prints and I figured I’d get some extra mileage out of it by posting it here as well. First, few disclaimers…

  • The title of this article originally referred to a “quick overview.” Clearly, it is too long for that! But there are whole books on sharpening, so by contrast I think this qualifies as a quick description. In fact, I’ve left a lot out of the description!
  • There are people with far more expertise on this topic than I have, and I have no illusions that this description represents the “right” way to do this, much less the “best” way!

The subject of how to sharpen photographs in post for print or electronic output is one that confuses many people… and a subject to which many books, online articles, and forums posts have been devoted. There are any number of ways to get the desired results via sharpening, and different techniques are called for depending upon taste, the nature of the image, and the final form of presentation: size? print? jpg? etc…

Here is a general description of what I do when I print. I’ve left some variations out of this description. The description also covers software that I use in my workflow — you might prefer something different, but you might still be able to adapt these ideas. You’ll note at least one controversial method later in the list, but try it before you dismiss it. The approach I use could well be “over-kill” if you just want to pump out a bunch of jpgs to share with friends and family or if you want to make some small prints — my end goal is good sized prints, and I work on each one rather carefully rather than mass-processing them and printing a bunch at one time.

And please understand that I’m most certainly not implying that my way is the right way. It works for me, and that people who view my prints often remark on their sharpness and detail. (And a few other things, too, I hope! :-)

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