Tag Archives: switch

Photographs: Structures and Objects

Switch Box

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Switch Box
An old, weathered outdoor switch box on a brick wall.

Switch Box. © Copyright 2023 G Dan Mitchell.

An old, weathered outdoor switch box on a brick wall.

Ever since I can remember I have photographed odd bits of “stuff” like this — old fences, door handles and hinges, electrical boxes, anything that has the worn patina of age, rust, and weathering. The first time I recall doing this must have been in middle school or early high school — I went around the back side of my parents’ house and found an old wooden fence with a chain lock, photographed it, and made black and white prints.

On the day I made this photograph we were at a very large garden, with the plan being to photograph spring flowers and foliage. We certainly did that, but I’m easily distracted by things like this, and I came back with this photograph along with others of old signs, door knobs, windows, and similar non-garden stuff.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Equipment, Morning Musings

Switching. And Patience. (Morning Musings 9/18/14)

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Friday Night, Manhattan
Friday Night, Manhattan*

Today I’m going to muse about equipment, and how to respond to the ongoing and inevitable continuing improvements in the capabilities of photography gear. My primary context is the Canon DSLR gear that I use, though the issue that I’m “musing” about is a more general one.

I shoot mostly with a Canon 5D Mark II camera body, typically using four or fewer lenses. (I also use a Fujifilm X-trans camera for situations where small and light gear is more important than having a full frame sensor.) The 5DII is a 21MP full frame DSLR camera and can produce marvelous photographic results, including quite large high quality prints.

Recently Canon-using photographers have become acutely aware that full frame cameras from Sony (such as the A7r) and Nikon (the D800 and D810 models) incorporate important advances in digital sensor technology. These include greater photo site density (36MP sensors) and increased dynamic range (or “DR” in photospeak), and these cameras have gotten the attention of many serious photographers. (Today the issue came up in the context of a forum discussion of a vague and unsubstantiated rumor of a new Canon camera.)

Since photography relies on the technology of cameras and lenses, photographers are almost always interested in technological improvements. In fact, some folks can become so interested in this that the technology becomes more important to them than the photographs, and it be a challenge to keep things in perspective. Continue reading Switching. And Patience. (Morning Musings 9/18/14) →

Commentary, Tongue in Cheek

New Nikon Cameras – Should Canon Shooters Switch?

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I’ve been hearing a lot of buzz recently around the announcement of some very fine new cameras from Nikon. Among those who shoot Canon, there has been some angst about “jumping ship” and switching to Nikon. People are wondering – “Is it time to switch?”

Should you do it?

Actually, if you switch from Canon to Nikon, your photography will instantly achieve astonishing levels of beauty and effectiveness, and you will be able to print your photographs at least twice as large and with more 3D-effect, accurate rendering, and enhanced micro contrast. Viewers will marvel aloud at the lack of shadow noise banding and the remarkable freedom from distortion and aberrations in your work.

Golden hour light will become twice as golden. Pretty girls (or guys, depending) will gaze in compelling ways into your lens as soon as you lift your camera to your face. Your electronic flash will illuminate objects 2.7 times further from your camera position. Bald eagles will make at least three passes above the sunlit mountain when they see you at work, and the herd of moose will hold still in the beautiful meadow until the eagle has passed. Touchdown receptions will always occur at your end of the field and on your side of the field, with nice light from the side to highlight the handsome features of the receiver. Your children will be five times as photogenic and they will always be willing to recreate that wonderful expression that you missed the first time around – not that you’ll ever miss it if you switch! You will never miss an exposure or produce an out-of-focus shot again. The Ansel Adams gallery will be renamed: The [Insert Your Name] Gallery of Light. There will be a 3 pound 14-500mm f/2.8 IS zoom, and it will sell for well under $1000. (But it won’t come from Canon – you have my word!)

Just by asking the question, you have already set in motion a series of important events – National Geographic representatives are on their way to your door bearing contracts and generous travel expense vouchers. They aren’t worried that you’ll move pyramids in post – they know that the pyramids will move for you! At this very moment, thousands of people with expensive new gear and lots of free time are searching for your workshops on the web – you do have a web site, right? Photography companies are sending you free samples of everything they make. (Have room to store 18 tripods? Time to clean out that closet!) News of your upcoming solo exhibit at MOMA was just announced on their web site!

I’d switch if I were you. ;-)

Note: The coolest thing is that this works both ways!  Nikon shooters who think that a jump to Canon will improve their photography in wonderful and glorious ways can switch that direction and achieve exactly the same effects achieved by those Canon folks who switch to Nikon with the same goal! Except for that 14-500mm f/2.8 zoom, maybe… ;-)

(And… Thank you to 1001 Noise Cameras for sharing the link and the laughter over this one! ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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News, Photographers, Stories

‘From Film Holder to Memory Card’ at TOP

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The Online Photographer (a.k.a. “TOP”) is one of the blogs I follow regularly – lots of great thought-provoking posts show up there on a regular basis, frequently written by folks who know what they are talking about. Take a look if you don’t already follow TOP.

I enjoyed a recent article (“From Film Holder to Memory Card”) by photographer Charles Cramer in which he describes his transition from large format film gear to using medium format digital systems. My favorite example of Charlie’s ironic humor in the post is his “apology” to those who haven’t made the switch: “Note to my large format friends: O.K., I sold out—but I get to use zoom lenses!!!”

In any case, this post is another data point to consider if you happen to be one of those folks who is certain that great photography must be created using traditional film gear and processes. While there is absolutely no question that great work can still be done that way, it is equally possible to do wonderful photography with newer technologies… and, as Charlie illustrates, there are some things that can simply be done more effectively, less expensively, and with better results.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.