Tag Archives: unsharp

Commentary, Photographs: Abstract, Photographs: Imaginary Landscapes, Photographs: New York City, Photographs: People, Photographs: Urban/Street

Two People, Railing, Walls

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Two People, Railing, Walls
Two People, Railing, Walls

Two People, Railing, Walls. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two figures seen through a gap in walls at the top of a stairway.

There is probably not too much to say about this photograph, though I could probably say a lot about it if I got started. During a rainy day visit to a New York City museum, I saw the gap between walls at the top of this stairway and the effects on color and luminosity of the various different sources of reflected light in this space. I lined up with the scene to leave a slender gap between the corners of two walls so that people passing by in the hallway would momentarily show up in this gap. I tried a variety of focus points – on the people, on the edges of the walls, on the railings… but in the end I liked the version that doesn’t really focus on anything specific.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technique

How I Sharpen – An Overview

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(I originally wrote this article way back in 2009. Some portions were revised in February 2019 to reflect changes to sharpening tools and some different ideas I have developed regarding sharpening settings. It was updated and modified again in 2023.)

I just posted something elsewhere about how I sharpen for prints and I figured I’d get some extra mileage out of it by posting it here as well. First, few disclaimers…

  • The title of this article originally referred to a “quick overview.” Clearly, it is too long for that! But there are whole books on sharpening, so by contrast I think this qualifies as a quick description. In fact, I’ve left a lot out of the description!
  • There are people with far more expertise on this topic than I have, and I have no illusions that this description represents the “right” way to do this, much less the “best” way!

The subject of how to sharpen photographs in post for print or electronic output is one that confuses many people… and a subject to which many books, online articles, and forums posts have been devoted. There are any number of ways to get the desired results via sharpening, and different techniques are called for depending upon taste, the nature of the image, and the final form of presentation: size? print? jpg? etc…

Here is a general description of what I do when I print. I’ve left some variations out of this description. The description also covers software that I use in my workflow — you might prefer something different, but you might still be able to adapt these ideas. You’ll note at least one controversial method later in the list, but try it before you dismiss it. The approach I use could well be “over-kill” if you just want to pump out a bunch of jpgs to share with friends and family or if you want to make some small prints — my end goal is good sized prints, and I work on each one rather carefully rather than mass-processing them and printing a bunch at one time.

And please understand that I’m most certainly not implying that my way is the right way. It works for me, and that people who view my prints often remark on their sharpness and detail. (And a few other things, too, I hope! :-)

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