Tag Archives: x-trans

Equipment, Reviews

Fujifilm X-Pro2

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Fujifilm just released their newest camera, the X-Pro2. Since I have been relying on an earlier Fujifilm camera (the original X-E1) for over three years — and liking the results a whole lot — it seemed like time to move up to the newer, more refined body. My new X-Pro2 arrived a few days ago, and so far I’m quite impressed. (My time with the camera has been limited thus far, and I’ll share a much more detailed report once I have had a chance to use it extensively.)

Fujifilm X-Pro2
Fujifilm X-Pro2 with the new XF 35mm f/2 WR lens

The Fujifilm “x-trans” sensor cameras are appealing for a number of reasons:

  • Small, light mirrorless designs offer an alternative to larger DSLR systems.
  • The x-trans sensor produces excellent image quality and uses a photo site layout that is designed to minimize aliasing without using anti-aliasing filters.
  • The Fujifilm lenses are truly top-notch, from primes to zooms, and there is a complete and diverse selection of available lenses.

Until now all of these cameras have use 16 megapixel (MP) 1.5x cropped sensor designs. 16MP is plenty for almost all photographers, and I make beautiful 18″ x 24″ prints from the files. One of the main updates on the X-Pro2 is the addition of an optimized 24MP sensor. If anything, this sensor improves the low light performance and dynamic range of the 16MP versions, and it provides a bit more resolution.

The X-Pro2 also improves on many of the ideas behind the original (and now a bit long in the tooth, though quite inexpensive) X-Pro1. Both cameras use a hybrid viewfinder that incorporates both an optical viewfinder (OVF) and an electronic viewfinder (EVF), both of which have advantages in various situations. The OVF works beautifully with many primes, eliminates shutter blackout, and allows the photographer to see what is going on just outside the borders of the image. The design overlays an electronic display on top of the optical image. These features are very useful to those doing street photography and similar things.

The EVF works well with all lenses, from ultra wide to telephoto and especially with zoom lenses. It can be advantageous in very low light, such as night street photography. It also shows the precise frame edge lines and can display even more image data than the OVF.

The camera feels light but also solid and well-constructed, and it recalls classic rangefinder cameras.

I got mine with the new XF 35mm f/2 WR lens, one of five newer lenses that are optimized to autofocus more quickly on the X-Pro2 (and, presumably, future X-series cameras). It is also weather resistant. I can report that it focuses quickly and accurately in a wide range of situations. Since I also have my older XF 35mm f/1.4 lens, I haven’t yet decided whether I will end up valuing the extra stop of the f/1.4 lens enough to give up the faster AF and smaller size of the new f/2 lens.

That’s all I’ll say for now, but expect more in the not-too-distant future as I gain more experience with the camera. For now, I don’t see any reason to not recommend it.

  • Fujifilm X-Pro2 digital camera body — $1699 at B&H or Adorama
  • Fujinon XF 35mm f/2 WR lens — $399 / $299* with X-Pro2 at B&H or Adorama (*limited time offer)

(If you find this website and posts like this useful and you are going to get one of these products, consider making your purchase through links on this site. Your price will be the same, but the purchases help support the operation of the site. Thanks!)

Also see:  Taking Stock of the Fujifilm X-E1, X-E2, S-T1 Mirrorless Cameras

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Deals and Sales

Reminder: Fujifilm X-Series Discounts

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I recently posted an article about  the Fujifilm X-Series camera system that included a list of some impressive price reductions that are part of a current Fujifilm promotion. These prices are still available, making this a great time to acquire a Fujifilm X-Series camera or lenses. Here is the list once again.

X-Pro1: Fujifilm’s innovative interchangeable lens camera combining an optical rangefinder design with an electronic viewfinder.

X-T1: Fujifilm’s flagship interchangeable lens mirrorless camera

X100T: Fujifilm’s compact rangefinder fixed lens camera. Street photographer’s love it.

X-T10: A less expensive but very capable camera modeled on the X-T1.

X-E2: A very compact interchangeable lens mirrorless camera. (I use the X-E1, the predecessor of this model.)

X-30: A very compact mirrorless camera with a smaller sensor and a zoom lens.

Fujifilm lenses for X Series interchangeable lens cameras

Summary: Based on my own experience with a number of the lenses and confirmed by many other reports, the Fujifilm lenses provide first-rate optical performance. The range from very small prime lenses up to large aperture zooms that are competitive with the best from the DSLR manufacturers. I have marked lenses that I own and use with asterisks — *.

This list was compiled carefully, but errors could occur, so verify all prices and other information directly with the linked vendor(s).

Taking Stock of the Fujifilm X-E1, X-E2, S-T1 Mirrorless Cameras — My article with more information about the X-trans cameras from Fujifilm.

Links go to site-affiliate B&H Photo, and purchases through these links return a small percentage of the sale price to support this website. Your price will be the same as if you clicked directly on the vendors own links. Thanks for your support!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Equipment, Reviews

More Thoughts About the Fujifilm X-E1

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(Note: Chuq von Rospach recently tried out a Fujifilm X-Pro1 and wrote about shoot he did with the camera, musing about whether or not it would work for him as a landscape photography camera. I wrote a lengthy comment in reply and since I think it might be useful to others considering these interesting Fujifilm mirrorless cameras, I have decided to share the comment again here, with a few edits. Do note that the X-Pro1 that he used is not the same camera as the X-E1 that I use.)

I’ve been using the Fujifilm X-E1 Digital Camera quite a bit for the past few months. This camera is a mirrorless “rangefinder style” body with an electronic viewfinder. There is also a model with a hybrid electronic and optical viewfinder, the Fujifilm X-Pro1. A decent set of Fujinon lenses is now available with more on the way – see a list at the end of this post. (There’s an earlier report here at my blog – see Fujifilm X-E1: From DSLR to Mirrorless – that article gives a bit more background about these cameras and their unique X-trans sensor.  It needs updating now that I have a lot more usage of the camera under my belt, and I plan to write this real review soon.)

I think that the main issue with trying to use the X-Pro1 or the X-E1 as a landscape/nature camera is that this is not really what it is best suited to doing. That said, it could make an excellent lightweight and small backpacker’s or hiker’s camera for those who aren’t trying to do in their photography what I’m trying to do, but who want the potential of very good image quality. The image quality from this camera is quite good considering its diminutive size and weight, but not what you’ll get from a full frame DSLR for sure.

I find that this camera is great for street shooting and other sorts of “on the go” photography done without the tripod, where small size/weight is critical, and where you might want to work somewhat quickly. (Although the AF system is not well suited to shooting particularly active subjects, though there are ways to make it more effective.)

I’m just back from four days in Portland, Oregon, where I used it to shoot urban subjects (mostly) and was grateful for its small size, which allowed me to carry it , along with other non-camera stuff, in a small messenger bag – which, not incidentally, works much better as carry-on luggage that what I must take when I shoot my DSLR. My full frame DSLR would have made for such a large bundle on this trip that the messenger bag wouldn’t have worked, but I could carry this camera (with the 35mm f/1.4 and the 14mm f/2.8) and my small laptop plus all of those other assorted things that typically come along on such a jaunt. Continue reading More Thoughts About the Fujifilm X-E1 →