Images

Bridges, Mission Creek Channel

Bridges, Mission Creek Channel
Bridge structures over the Mission Creek Channel, San Francisco

Bridges, Mission Creek Channel. © Copyright 2019 G Dan Mitchell – all rights reserved.

Bridge structures over the Mission Creek Channel, San Francisco.

This is (yet another!) part of San Francisco that is undergoing a rapid transformation as the real estate costs skyrocket and a new generation of quite wealthy people move into the City… and developers and businesses do what they do in response to these changes.

It wasn’t all that long ago that the location from which I made this photograph was not exactly a high rent district. It is along the CalTrain commuter track right-of-way at the end of a long inlet, the Mission Creek Channel. There are still a few house boats docked along the inlet but everything else around here is new or about to be new — with the exception of the freeway whose supports form the vertical component of this scene. In the distance along the left edge fo the frame many new condos and apartments are visible. Out of sight to the right is the Mission Bay Area, where in a few years empty lots disappeared and were replaced by — you guessed it! — more apartments and condos, plus various business and related concerns. If you want to see what San Francisco was… go soon!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Intertwined Trunks

Intertwined Trunks
Tightly laced tree trunks, Southern Sierra Nevada

Intertwined Trunks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Tightly laced tree trunks, Southern Sierra Nevada.

This photograph took some time to arrive in this form. Originally there were two versions of the subject — one was a vertical format version in black and white while the other was a horizontal format color renditions. (If you look around on my website you should be able to find both of those.) I always liked the abstract flow of the portrait-orientation black and white photograph, but I also liked the unusual coloration in the landscape-orientation color versions. And — duh! — it only took me several years to decide that what I really wanted to do was combine that flow and those colors in this version! Sometimes it is not obvious, at least not to me, how I will ultimately “see” a photograph until quite some time after I push the shutter release button.

The photograph explores something that has long intrigued me about high country trees in the Sierra Nevada. While they are, obviously, living things, they live on time scales that are much longer than we know. Even these “stunted” (to use the common description) high elevations trees, despite their relatively small size, are often many hundreds of years old. As such, they seem to me to occupy an intermediate state between our shorter frame of reference of “living” and the much longer time scale of geology. In some cases the trees take on a character that almost seems closer to that of rock. The colors in the photograph may also warrant some explanation, since they may seem unusual for trees. In typical light, these trees would mostly appear to be a combination of grays and browns, but I these trunks were in deep shade and illuminate by late-day light spilling in from the very blue sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographer Charles Cramer

Photographer Charles Cramer
Photographer Charles Cramer setting up a display for a reception to follow an August 16, 2015 concert

Photographer Charles Cramer. © Copyright 2019 G Dan Mitchell – all rights reserved.

Photographer Charles Cramer setting up a display for a reception to follow an August 16, 2015 concert.

This photograph of Charles Cramer is perhaps a bit unusual in several ways. I made it while Charlie was setting up (or taking down?) a display of a number of his photographs at a concert he gave in the South Bay Area. (Many of you reading this are likely to be aware of his photography, but perhaps not everyone knows that he is also an accomplished pianist and organist… and even a choir director!) The pose is perhaps not typical for a photograph of a “landscape photographer,” either as he is a) indoors and b) setting up a light stand! (The purpose of the stand is to illuminate prints for display in this case.)

We count ourselves lucky to know Charlie and to have known him for some time. (He played at our wedding, believe it or not.) He has also graciously shared his photographic knowledge with us in a number of ways. I often tell the story of how I finally got up to speed on my conversion to digital photography. I had been using digital cameras for a while, and I had purchased an early digital printer, but the results were just not what I hoped for and I was getting frustrated. I contacted Charlie to ask for some advice — should I take a class? sign up for a workshop? read a book? something else? He replied and basically said, “Come over and bring a few files.” I did, and in the several hours he spent with me on these files I learned (as I often say) “90% of what I needed to know about digital post-processing and printing” — and for that I am forever grateful!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alpine Cascade

Alpine Cascade
“Alpine Cascade” — A boulder in the rushing cascade of an alpine stream, John Muir Wilderness

The large scale (“monumental,” “symphonic,” etc) landscape is so impressive that it is easy to overlook smaller subjects in the wilderness. This is certainly true in the high regions of the Sierra Nevada, where the grand expression of the landscape predominates: great valleys, monumental peaks, immense sky, large stretches of forest. But years spent in all over the range finally taught me that the experience of the Sierra is at least as strongly composed of smaller things — the crunch of boots on the trail, cold pre-dawn air, texture of smooth granite, the sound of rushing water. (OK, the damned mosquitos, too. But let’s not go there!)

Those other things are the hardest to convey in a photograph, I think. (I still am not certain how to photographically convey the sonic experience…) On last summer’s weeklong visit to the high country of the John Muir Wilderness there was plenty of the big stuff to distract us at a first. We base-camped in a high elevation valley surrounded by high peaks that dominated out view. But nearby there were also meadows, and there was water flowing everywhere. I made this photograph of a small cascade only a few hundred feet from our camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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