Paceline – American Velodrome Challenge

Paceline - American Velodrome Challenge

Paceline – American Velodrome Challenge. Hellyer Park Velodrome, San Jose, California. June 26, 2009. © Copyright G Dan Mitchell – all rights reserved.

The pack is strung out as the pace increases in a bicycle track race at the American Velodrome Challenge, Hellyer Park, San Jose, California.

The paceline in the late stages of a miss-and-out race at the American Velodrome Challenge at the Hellyer Park Velodrome in San Jose, California. Yes, another “blurry bike racers” shot! And it won’t be the last.

I was having great fun shooting this series. There are a few tricks that I use to make this work. Before I make the exposure I decide where in the frame I want the relatively focused rider to be – in this case I wanted him closest to me on the right side of the frame. I selected a single autofocus point on the camera and made it the one furthest to the right from the center. I used the AI servo mode on my Canon 5D II since it continuously adjust the AF and since it attempts to predict the position of moving objects, thus tending to keep them in focus… as long as you can manage to keep the AF point on the target as it moves by very fast and very close. So the trick was to begin to follow the riders around the far end of the turn that you can see at top left, and then to work carefully to keep this AF point on the lead rider – not as easy as you might think – while also keeping a watch on the positions of the other riders. Making this even more “fun” is the fact that I had absolutely no control over what the riders would actually do when they came around. Sometimes a rider might come up the bank and block my shot; sometimes a single rider might be too far separated from the others to make the composition I had in mind. Generally – but not quite always – I shoot anyway, and I’m more than willing to admit that there is a certain element of luck in making this work.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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