I did my first real night photography at this location, the historic Mare Island Naval Ship Yard, fifteen years ago. I more or less randomly saw an announcement for a free introduction to night photography at the Flyway Festival at Mare Island, and without giving it much thought I signed up. The session was organized by Tim Baskerville, a guiding-light (guiding dark?) of the San Francisco Bay Area night photography scene and the leader of a group called “The Nocturnes.” (Studio Nocturne SF, the night photography collective I work with today, is a direct descendent.) I had almost no idea what I was doing on that first night photography adventure, but I was taken by the genre (and by this location) and I’ve been photographing at night ever since.
This week a group of us met for a “Nocturnes Alumni Event” at Mare Island, and after sharing and pizza we headed out into the dark to make photographs. It is a bit of a strange experience for me by now. I am very familiar with many of the features of the place, but there have been many changes, too. Back in 2003 the site was almost entirely abandoned, and it was not clear what would become of it. Today portions are being redeveloped, for better or worse — mostly better, I think. So some of the old subjects are gone, others that were off-limits back then are now accessible, and new things have appeared. On this evening I was able to get up close to some of these remarkable and gigantic old shipyard cranes. In a Silicon Valley world of virtual industries, it is quite striking to stand beneath these very solid and very real machines — gigantic things that were used to move the components for building ships.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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