Arriving at this spot involved one of the driving adventures that characterized much of our time in northwest Scotland. We followed a main road northward from Skye, and here we diverged to the west toward the coast. As we topped a rise we looked back and saw this spectacular scene — spots of sunlight on nearby hills, light rain falling between us and three distant tall peaks, and a dramatic, cloud-filled sky.
Continue reading Three Peaks, Rain Clouds
I did my first real night photography at this location, the historic Mare Island Naval Ship Yard, fifteen years ago. I more or less randomly saw an announcement for a free introduction to night photography at the Flyway Festival at Mare Island, and without giving it much thought I signed up. The session was organized by Tim Baskerville, a guiding-light (guiding dark?) of the San Francisco Bay Area night photography scene and the leader of a group called “The Nocturnes.” (Studio Nocturne SF, the night photography collective I work with today, is a direct descendent.) I had almost no idea what I was doing on that first night photography adventure, but I was taken by the genre (and by this location) and I’ve been photographing at night ever since.
This week a group of us met for a “Nocturnes Alumni Event” at Mare Island, and after sharing and pizza we headed out into the dark to make photographs. It is a bit of a strange experience for me by now. I am very familiar with many of the features of the place, but there have been many changes, too. Back in 2003 the site was almost entirely abandoned, and it was not clear what would become of it. Today portions are being redeveloped, for better or worse — mostly better, I think. So some of the old subjects are gone, others that were off-limits back then are now accessible, and new things have appeared. On this evening I was able to get up close to some of these remarkable and gigantic old shipyard cranes. In a Silicon Valley world of virtual industries, it is quite striking to stand beneath these very solid and very real machines — gigantic things that were used to move the components for building ships.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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High Desert Aspens. Eastern Sierra Nevada, California. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.
The golden leaves of a small grove of autumn aspen trees against the rolling hills of high desert sagebrush country
As I have photographed the beautiful autumn color displays of the eastern (and not so eastern) Sierra Nevada aspens, I have thought more about variations on this location theme. There is no question that there are very beautiful aspen trees up high in the eastern Sierra, and I go there every fall to photograph them. There are high elevation stands of interestingly twisted smaller trees, dense stands in lower and sheltered areas, some examples of big stands of tall and straight trees, and more. I have some favorites that I return to every autumn, and I still find new ways to see them and photograph them.
However, I’m also starting to think more about some slightly different opportunities for aspen photography that aren’t all that far from these familiar places and which present the trees in slightly different ways. I’d rather not get too specific at this point, so I’ll just say “think east.” This particular group of trees isn’t all that far east, but it has some of the characteristics that I’m interested in exploring: a narrow band of colorful trees set against a more open and barren essentially high desert landscape. Here the trees seem to tend to grow in (mostly) smaller groups, and in some ways they almost seem more special for being a bit less dense and for growing it what seems like a more difficult environment.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Aspen Groves, Conway Summit. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.
Late afternoon sun backlights the immense aspen groves near Conway Summit, California.
As the sun dropped toward the peaks of the Sierra crest to the west of Conway Summit, beams of light occasionally broke through the partly cloudy skies and backlit these brilliantly colored aspen groves alongside highway 395. I’ve shot here enough times over the past few years to understand how the light works here – though I admit that every time I think I understand, I discover something new! For me, the ideal is to go to Conway Summit right at the peak of aspen color, or perhaps a bit earlier when a few green trees remain, and to shoot in late-afternoon light, aiming almost directly into the sun. The color of the light coming through these leaves is almost unbelievably intense and saturated – and, in fact, is a bit of a tricky thing to photograph!
There are many attractive things about Conway Summit when it comes to aspen viewing. (There are also, admittedly, a few less attractive things, such as shooting from the edge of a four-lane highway!) The stands of aspens are extensive here, covering many acres. Because of the slightly elevated viewpoint, the observer can look down into and across the trees as they follow the slope gently rising toward the Sierra. There are actually a large number of separate groves that stand mostly in lines stretching from left to right, and each of them is often in a different stage of color development at this point in the season, with the result being that trees of almost every shade from green to brilliant red can be seen at once.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
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