Arriving at this spot involved one of the driving adventures that characterized much of our time in northwest Scotland. We followed a main road northward from Skye, and here we diverged to the west toward the coast. As we topped a rise we looked back and saw this spectacular scene — spots of sunlight on nearby hills, light rain falling between us and three distant tall peaks, and a dramatic, cloud-filled sky.
Continue reading Three Peaks, Rain Clouds
This photograph comes from that wonderful late-season time when the crowds diminish, the temperatures drop, things seem to slow down, and there are clear signs that the summer weather is coming to an end. I had gone to the Sierra just east of Yosemite for a few days of camping and photography. The weather was cold and blustery, and the sky was spitting rain as I set up my tent.
With camp set up, I had time to look around and notice the veil of rain draped across the rugged features of this nearby mountain, lit by soft light coming through the showers. I walked a short distance from my camp, found some interesting foreground trees, set up, and made this photograph before the rain arrived in camp.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Rainbow and Afternoon Shower. © Copyright 2013 G Dan Mitchell – all rights reserved.
A rainbow and afternoon showers in the Kings Canyon National Park high country.
This photograph is a somewhat different “take” on a scene and subject that I shared in another photograph a few weeks ago. A group of us had been camped near this little tarn (and dozens of other nearby lakes) for over a week as we photographed the heck out of the area. This spot was perhaps a ten minute walk from our base camp, so we visited often and photographed the area in a variety fo conditions — morning and evening, sun and rain.
Being established in one backcountry location for a lengthy period of time has all kinds of advantages for photography. While you might not see as large a swath of the range, you do see the smaller area in much more detail. Speaking for myself, my mental attitude toward the landscape changes in these circumstances and instead of always looking for the big thing I start to look more for the unseen thing or the unanticipated way of seeing it.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
Rain, Cottonwood Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.
Afternoon showers from a clearing storm fall on receding ridges of the Cottonwood Mountains, Death Valley National Park
This had been a “weather day,” with several hours of snowfall high up in the Panamint Range, where we had photographed sunrise—such as it was— and wildflowers and, of course, snow. We spent the morning and half the afternoon kicking around up high in these mountains, enjoying the late-season surprise cold weather, finding tons of wildflowers, and visiting various historical remnants of the mining days in Death Valley National Park. My typical shooting day in a situation like this starts well before dawn, includes a midday break, and then moves on to late afternoon and evening shooting until it is dark. But it was well past mid-afternoon when we finally descended from the Panamints.
There was no time for a real break, so we headed right on out to find an evening subject. We had not yet photographed in the Mesquite Dunes, and my initial thought was to photograph there in late afternoon and evening light. In the right conditions there can be wonderful light late in the day, especially during the final few minutes before the sun leaves the dunes. But there were still clouds floating around, especially to the west, and I wasn’t at all sure that we would see the good light out among the dunes. So I decided that it might make more sense to go to a higher spot where the wider panorama would let me pick out various areas of the Valley and surrounding mountains as the light changed. Arriving at “the spot,” I looked west and saw that showers were still falling over the Cottonwood Mountains and glowing with backlight from the late afternoon sun, so I put on the long lens and made some photographs of portions of the range where the falling rain masked the details and turned the mountains into abstract shapes.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.