Every landscape photographer I know is easily distracted by flowing water. Our “thing” might be large-scale landscapes, trees, rocks, you name it. But during slow moments we’ll point our cameras down or across the nearest flowing water and see what we can do with this subject. It provides a lot of opportunities. Long exposures can turn flowing water into cloudy veils. Reflections introduce symmetry and/or colors. And, as in this photograph, the water diffuses and smooths features beneath its flow.
I was actually lucky to find such clear water on this backcountry trip. Right after we arrived at our basecamp the heavens opened up and it rained heavily for the next twenty-four hours. When we finally crawled out of our tents the day after it began, we found a nearby lake muddy with sediments washed down these creeks. But before long the sediments decreased and I found this clear creek.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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