The grove in this photograph is semi-famous. The earliest photograph of it that I’m aware of is by Galen Rowell, and just about everyone who photographs Sierra aspens has given it a shot. Timing is everything — along with a bit of weather luck — and I arrived a bit after the peak of color. (At that point there might not be any bare trunks, but some of the foreground trees would still show a bit of green.) Rather than showing the whole thing, I decided to crop a bit and let the green area at upper right intrude into the space where yellow turns to orange.
While timing is a key to getting aspen photographs, the window is often a bit wider than you may expect. We want to arrive at the perfect moment of maximum color before leaves really start to drop. But the color transition is quite photogenic both before an d after that brief moment. Before the peak a few green trees might be part of the scene, and a bit later scattered colorful leaves might poignantly interrupt a forest of nearly bare white trunks.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Love the ‘flow’ in this, Dan! And the soft colors as they flow down to the brighter aspens. Very nice!
Thanks, Brenda. A friend refers to this grove, winding up the gully and transitioning from yellow to organelle to red, as the “Cheetohs Forest!” ;-)