Recently I’ve seen a lot of posts around the web by individuals looking to upgrade from point and shoot cameras to their first DSLR – and in a few cases by folks who intend to bypass the P&S step entirely and just start right out with a DSLR.
Among these folks the questions are usually “which camera should I get?” and “what lens(es) should I get?” These questions are phrased in various ways: “Is camera X a good choice?” “What is the best lens for Camera Y?” “I hear that lens/camera Z is the best – is this right?” “I’m just getting started and I plan to get the very best camera and lens available.” “What lenses do I need to complete my setup?”
While there are exceptions to almost every rule, in the case of new DSLR shooters I have some strong opinions about what the best approach will be in most cases. The good news is that the “right” answer is probably also the least expensive, the most conducive to learning about your relationship to DSLR photography, and the most adaptable to a variety of future directions that you might find your photography taking. Continue reading Shopping for your first DSLR? Some Advice→
The obvious answer is yes, but his short article is worth reading nonetheless.
High resolution prints entice the viewer to look at the detail and explore an image. Large photographs hung on a gallery wall invite the viewer to spend even more time discovering every aspect of the image. Nothing beats a beautifully produced original print. Despite the proliferation of online images I still think the ultimate measure of a photograph is how it looks in print.
On screen with typical dimensions ranging from 500 pixels on the longest side to 800 pixels, and screen resolution at 72 dpi it is impossible to convey all the subtle details that a full resolution image holds. The images that work at small sizes are bold, dramatic and full of immediate visual impact. Subtle images are therefore not popular on sites which invite fellow users to comment such as Flickr.
A few comments…
The presentation of photographs on the web is something of a two-edged sword. Photographers, those interested in photographs, and others certainly have the opportunity to see much more photographic work than in the past. It would not be unusual for active Flickr viewers and/or users of other online photo sites to view hundreds of new photographs every day. Exposure to a wide variety of new photographic work certainly has value – among other things it has the potential to expand the photographic vocabulary of photographers and others more quickly than in the past. (An analogy to the changes in how we listen brought about by recorded music is apt.) Continue reading Paul Indigo: Has the Internet Affected Our Appreciation of Photographs?→
Fall color? In July? Apparently I’m not the only one who starts thinking about this well before the colors appear – there were a number of search engine hits here today for the subject. I’ll likely write more about this subject when we get closer to fall, but I thought I’d post just a bit of basic information today.
When – The exact time for peak aspen (and other) fall color in the Sierra can vary a bit depending upon a variety of factors, but right around the first week of October is a good bet. Truly crazed Sierra aspen photographers are on alert from the last week of September through the middle of October.
Where – All over the eastern Sierra. (There are aspens west of the Sierra crest – such as near the tops of Monitor and Carson passes – but most of the color is on the “east side.”) You can find them up almost any eastern Sierra roadway that head up into the range. One of the best areas is around North Lake, South Lake, and Lake Sabrina above Bishop, California.
PeterP wrote left a “comment” asking how I do black and white conversions. I replied with a brief overview of my approach to using the “Black and White” layer in CS4 and then working with multiple masked curves layers to fine tune the resulting image.
I returned yesterday from a four-day pack photography backpack trip into the Young Lakes area of the Yosemite back-country out of Tuolumne Meadows. I’m currently going through a few hundred RAW files and beginning to work on a few of them. Conditions in the Sierra this past week were “interesting” – meaning some pretty good sized thunderstorms every afternoon and lots of interesting light somewhat marred by occasional smoke floating up from a wildfire burning lower in the Tuolumne River drainage.
