(Note: I have added updates to this older article. Scroll to the bottom to see them.)

Maria wrote:

Hi Dan,

I found your website through a photo discussion thread. First of all, I’d like to say what great photo’s you’ve taken! Very beautiful , and I especially admire the Washington sky & Pacific Sunset piece!

I am an illustrator/designer ready to buy the xti but not sure which lens. Which do you recommend? I’m looking at a Tamron for cost efficiency.

I have an old Canon F1 with many Tokina, canon lenses. I will buy an adapter for them so I was wondering if its worth it to buy a digital lens? Any thoughts would be appreciated.

Thanks for writing, Maria, and thanks for your kind words about my photoraphy and the articles at this web site. Congratulations on the XTi. It sure looks like a great camera for most users – similar in many ways to the XT (which I use) but with some significant upgrades.

I can give some lens advice, but my direct experience is entirely with Canon lenses. (At least recently… in the distant past I also used Pentax and Minolta) I’m afraid I can’t give any personal recommendations regarding the Tamron, etc. third-party lenses.

A few thoughts:

• If you have really good older lenses there are adapters that will allow you to use them on your Canon EOS camera, but you will not have all of the automation that you would have with newer Canon lenses. For example you may have to focus manually – which is not the easiest task with the APS-C crop sensor cameras and their relatively small viewfinder images. Generally, it may be worthwhile to use an older lens if it is a really great one and you are happy to give up features that would be available with newer lenses. Using the old lens to save money is generally not a very satisfying approach, I’m afraid. (Update: I now understand that many of the older Canon lenses – e.g. FD lenses – won’t really work well on the newer cameras even with adapters. Don’t try to use them on a current Canon DSLR.)
• The term “digital lens” is confusing. Often the term refers to lenses that project a smaller image circle – large enough to cover the smaller APS-C 1.6x crop sensor of the XTi and similar cameras but not large enough for full-frame sensors or film SLRs. Canon calls them “EF-S” lenses. There are no real optical advantages to these lenses, although they can be made smaller than equivalent full-frame (e.g. – Canon EF) lenses.

I lean towards acquiring Canon EF lenses. While a DSLR body (yes, even the XTi) is likely to have a somewhat short lifespan – as improved bodies come out, you’ll be tempted to replace it sooner than you might imagine – your lenses can be a long term investment. Money spend on good lenses can pay off in better quality photographs.

Keep in mind is that because the XTi is a crop-sensor camera, lenses of a given focal length will seem like longer lenses on your 35mm SLR. For example, a 50mm “normal” lens for a film SLR will act like a slight telephoto, or “portrait” lens on the XTi; it will give you the same field of view that an 80mm lens provided on film. You’ll need to get wider lenses for the XTi to replicate the effect of lenses you would have chosen for a film camera.

If 50mm was a “normal” lens on a film SLR, something in the 28mm-35mm range will provide an equivalent field of view on your XTi. The same holds true with zoom lenses; while a 28mm-70mm lens would have given fairly good coverage for typical use on the film SLR, it would likely seem too long on the XTi and a 17mm-45mm range would be nearly equivalent.

(If there are particular focal lengths you favored on your old SLRs, you can divide their length by 1.6 to identify an equivalent focal length for your XTi. Thus, to exactly replicate the angle of view of your old 50mm lens you would use a 31mm lens on the XTi because 50mm x 1.6 = 31.25mm. Conversely, multiply the focal length of a current lens to see what SLR lens would have been equivalent. Putting a 100mm lens on your XTi is equivalent to putting a 160mm lens on a film SLR since 100mm x 1.6 = 160mm.)

Any recommendation of a specific lens or lenses must be based on knowing something about your photography. For example, I could not answer “What is the best Canon 24mm lens?” without more information. For a landscape photographer the 24mm T/S lens might be best; for a news photographer it might be the 24mm f/1.4; a street photographer might prefer the 24mm f/2.8 with the XT/Xti; a wedding photographer might want the 24-70mm f/2.8 zoom.

Take care,

Dan

Update 3/3/08: For many entry-level photographers getting an XTi or similar Canon body for the first time, the newer image-stabilized version of the Canon EFS 8-55mm “kit lens” is a great choice. Reports are that it is actually quite a good optical performer, and the lens is quite inexpensive. It can be a great starter lens, and after you use it for awhile your additional needs will be clearer to you and you’ll be ready to possibly upgrade to more expensive lenses.

Update 5/8/08: I’ve come to recognize that for some crop sensor camera shooters the EF lenses may not necessarily be the best choice in all cases. (If you plan to move to full frame soon or if you are looking at longer lenses, in general it still makes sense to look to the EF series.) For example, if I were buying a crop sensor Canon DSLR today – either a Rebel or an X0D series body – I would almost certainly consider the EFS 17-55mm f/2.8 IS lens as a first choice for quality work in the “normal” focal length range. There really is no directly comparable EF lens that provides the same feature set on a crop sensor body: f/2.8 maximum aperture, coverage from wide to short telephoto, image stabilization, and excellent optical quality.

(Note: Most of what I’ve written here is applicable to any of the Digital Rebel or Rebel Cameras after the 300D: the XT (350D), XTi (400D), and XSi (450D). As a matter of fact, it isn’t irrelevant to users of the XOD cameras either: 20D, 30D, and 40D.

Michael Reichmann at Luminous Landscape on the Pentax K10D:

One can’t really get the measure of a complex camera like the Pentax 10D after just a week of use and a few hundred frames. But, it didn’t take me long to discover that this is a camera that the sophisticated user will find to be a pleasure to work with. Image quality is on a par with virtually anything else on the market, the camera is very feature rich, the price is right, and it therefore isn’t a stretch to say that the K10D is probably the best value in a 10 Megapixel DSLR at this time.

As a Canon user I can only wish that the folks at Canon’s marketing and engineering department have a close look at some of the more innovative features offered by Pentax in this new model. With DNG, post exposure JPG processing, and auto-ISO with limit setting, Pentax now offers one of the most innovative feature sets to be found on any DSLR. It looks like the big boys are going to have to start playing catch-up.

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Mike Johnson at The Online Photographer has a long post today about DSLR image stabilization systems. It includes the following about the approach that Pentax is taking:

The [Pentax] K10D, on the other hand, really makes sense with in-body IS (they call theirs SR, for Shake Reduction, unless I’m confused), because Pentax has the greatest range of body-lens compatibility of any manufacturer. You can’t even autofocus on the D40 with an ordinary AF-“D” Nikkor, but you can get IS on the Pentax with any Pentax lens back to, and including, M42 screwmount lenses, regardless of what other automatic functions may or may not be compromised. For this reason, it really makes sense that Pentax put its IS-type SR function in the body and not in the lens.

I think that Pentax is on the verge of providing some really interesting and competitive products.

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Rob Galbraith DPI:

Lowepro adds SlingShot 300 AW to its line of sling bags. Lowepro has recently announced the SlingShot 300 AW, the third model in its SlingShot line of sling-style camera bags. The 300 AW is the largest of the lineup and is designed to carry a pro SLR body (or two) with five or six lenses, plus accessories. [Rob Galbraith DPI]

I use the Slingshot 200 AW and like it a lot. It combines the features of a traditional camera back with the carrying features of a backpack. My 200 AW handles my small DSLR plus four lenses and a few other odds and ends, and swings around from the backpack-style carrying position for quick access to the gear. The 300 AW sounds like it is substantially larger, and it addes some additional features to the existing design.

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