Category Archives: Locations

Commentary, Locations, Site News

What Happened to My Death Valley Guide?

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During the past year or two I had written the majority of an extensive guide to photographing in Death Valley National Park and some of the surrounding areas, and shared it at this web site. It was chock-full of the names of places and descriptions of how to get to them and specific suggestions regarding how they might be photographed – along with a few disclaimers and warnings about dangers including focusing too much on bagging photographs of icons, endangering certain fragile things in the park, and so forth.

I recently took this guide down, with the intention of writing a new one that I hope will be more useful to those who are looking for a bit of a deeper understanding of the place and how it might be photographed, perhaps at the expense of providing that quick list of where to go and how to get there.

Every so often friends remind me that there are ethical risks in sharing too much detailed information in the wrong forums, and recently one friend mentioned this relative to a post about a particular area I had photographed that is easily accessible but not yet overrun. As result I began the process of going through some previous posts and editing descriptions to offer details only when it seemed important in the context of the photograph. Then I started thinking a bit more about the content of the my existing guide to photographing the park. Even though I had worked to “sanitize” the descriptions in the old guide – removing many of the references to exact spots and so forth – and of including exhortations to protect the place, I began to think that I was not necessarily doing photographers a big favor by offering a guide that was primarily organized along the lines of “places to go,” and which might encourage people to go “bag a shot” of these places rather than looking a bit deeper.

Some may ask, “Why not tell people the best places?”

  • Plenty of other people have already written guides to the places. In the end, I probably don’t really have a lot to add to this pool of information. If you want to know the names of icons and where to find them you can certainly find this information elsewhere.
  • While many of us begin by thinking that the goal is to photograph the “famous places” – and, frankly, that is not a bad way to start – eventually I realized that it was the process of discovering my own orientation to the park that brought greater pleasure and rewards. I don’t want to encourage others to miss out on that experience.
  • Some of the places are wonderful largely because of their remoteness and solitude. In fact, the immense solitude of Death Valley is one of the most powerful and rare things it has to offer, and there are still many places and times to find this. I don’t want to accelerate the loss of this valuable commodity.
  • While many areas of the park might seem too rugged to be damaged much by our passage, there are fragile things here that cannot withstand the presence of too many people – and there are plenty of examples of things that have already been damaged. While it isn’t my goal to keep people away from the park, I certainly don’t want to accelerate the degradation of these resources by unnecessarily encouraging more people to go to these places.

So, I’m offering this post as both an explanation of where the old Death Valley guide went, and as a promise to get to work on the document that will replace it. My plan is to speak in more general terms about what it means to photograph in the park and about how to approach it as a photographic subject – and to do so in a way that may offer something useful to all who want to seek out the rewards that come from developing a deeper relationship with this land.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Locations

Aspen Update 10/17/11

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I’m back from my second trip to the eastern Sierra in as many weeks, and I’d like to share a bit of what I observed.

A week ago I visited and/or photographed several areas including Bishop Creek, Rock Creek, McGee Creek, a few areas around Mammoth Lakes, and Lee Vining Canyon. I also got reports from others who were there at the same time, and their reports tended to be in line with what I saw that week, namely that the trees that had been turning were interrupted by the early winter-like storm, dropping leaves or turning brown/black, and that lower elevation trees were mostly still green. At that time my hunch was that not much more was going to happen up high, but that the many green trees would provide color over the following couple of weeks.

This week I visited the portion of Bishop Creek in the South Lake drainage, areas on and near Glacier Lodge Road, the north section of the June Lakes loop near Parker Lake, Lee Vining Canyon, and Conway Summit. This visit confirmed some of my expectations from the previous week but also offered some surprises.

  • The thought that the loss of higher elevation leaves might mean that they were done for the season turned out to be not quite correct. This week I saw a surprising amount of color up high. In many places along the eastern escarpment I saw groves of brightly color trees marching right up many ridges.
  • Although I did not return to North Lake, I even heard reports that it had improved. (Though the person sharing the report pointed out that this would likely not be an exceptional year there.)
  • The color of the middle and lower level trees seems to be progressing very quickly. I was expecting middle elevation trees to turn by this week, but I was surprised by how low the color extended. If forced to make a prediction, I might guess that the season is going to run its course a bit faster than usual this year. (Stable weather this week – especially if the winds are light – might sustain things a bit longer.)

I feel like every aspen season has its own “personality” – whether it starts gradually or suddenly, early or a bit later, whether it is interrupted by weather events, and how long it lasts. The personality of this year’s eastern Sierra aspen season seems to include the storm that interrupted the early color up high, followed by a very rapid development of color about a week later.

I need to offer a few disclaimers. First, I only visited a small percentage of the places where aspen color may be found in a typical season. Second, while I can make some guesses about how things will evolve going forward, no one really knows. Third, if you are going to head out there to photograph the aspens this season, I urge you to check others sources of information on the conditions before you go.

Commentary, Locations, Sierra Nevada Fall Color

Sierra Nevada Aspen Hunting and the Weather

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Something to think about for photographers headed to the eastern Sierra to photograph aspen color next week: The seven-day Yosemite to Kings Canyon weather forecast is calling for snow (!) on Wednesday and Thursday, and things don’t look like they’ll totally clear out on Friday. This has some ramifications:

  • Those of us who get to the eastern Sierra by way of one of the trans-Sierra passes may encounter difficulties if the forecast pans out. I would not be at all surprised to see a temporary closure of Tioga Pass Road (highway 120) though Yosemite, and other passes to the north could be affected. This makes for a very long drive for those of us in the SF Bay area!
  • A storm can affect the aspen color display. A cold snap can, or so many of us believe, encourage the colors to change. But wind can also bring down many of the leaves in a hurry. (I once arrived before dawn at North Lake to see – just barely – incredible color conditions in the grove the runs up the hillside on the far side of the lake. Moments later a snow squall blew in, and as the wind began to blow I retreated to my car for a half hour. When it passed, half of the leaves had blown down!
  • On the plus side, an early winter storm can bring some opportunities and advantages as well. Overcast and rainy/snowy weather can intensify the colors and create some very compelling and moody scenes. New snow adds something special to the scene, whether only on the higher peaks above or down among the trees.

It could get interesting, so check those weather forecasts and the road conditions on the mountain highways. Fall in the Sierra is a time of change in many ways. Pacific winter-type weather systems start to move through, and they can range from very mild to virtually full-blown winter storms. While most of them pass quickly, some can last for a few days and close passes. It would be very unusual for such an early October storm to actually mark the beginning of the winter road closures, but mid-October storms have done so in the past.

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Events, Locations, Sierra Nevada Fall Color

Searching for Aspen Color in the Eastern Sierra Nevada – The Show Starts Soon!

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At about this time each year my thoughts turn to the phenomenal aspen color in the eastern Sierra. I seek out and photograph these trees every fall. I shared some hints in a couple of blog articles from recent seasons – links below:

Each season is unique – starting at different times and developing in various ways that seem to depend upon how the previous winter-summer weather evolved, elevation, north/south position with the range, and other imponderables that seem beyond prediction.

While many signs of the seasonal change are already visible, the real show typically begins at the very end of September in a few places and really gets going around the beginning of October. I tend to regard the first half of the month as being “prime time” for eastern Sierra aspen color, though the season can end earlier if the weather blows down a lot of leaves or a cold snap turns them brown, or it can last longer for those who follow the color transition all the way down into Owens Valley and other low areas. (Note: While there are some colorful trees west of the Sierra crest, they are not nearly as numerous or accessible as those on the east side.)

(Feel free to share!)

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.