Category Archives: Photographers

Photographers

Kudos to Michael Frye for His Weekly Critique Series

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Michael Frye just posted the second in his weekly series of photograph critiques. It is no surprise that he offers insightful and relevant commentary of the photos, but I want to especially note the nature of his critiques.

A lot of what passes for photo criticism on web forums and elsewhere is less than wonderful stuff. I see all too many that fall into a couple of predictable and not very helpful categories. On one hand I see the shallow and quite meaningless one-liner comments: “Great work!” and “Stunning photo!” and “It sings” and the like are, of course, positive – but they provide very little to the photographer than a momentary warm feeling… which quickly when one realizes that the lack of depth in the responses suggests that the photograph didn’t really engage the viewer. On the other hand we see plenty of examples of the “let me tell you why you suck” school of criticism: these often inform the photographer than he/she ignorantly violated some “rule” of photography and can sometimes degenerate into little more than lists of “everything I can find to dislike in your work.” A lot of this stuff comes from people who honestly think that this is what “criticism” is supposed to be, but some of it comes from folks who should know better.

Given the prevalence of poor public critiquing, I’m especially grateful to Michael for demonstrating the features of good criticism. Some things you’ll note in his series: He begins by finding and acknowledging the admirable and interesting in the work being critiqued; he avoids the “this is wrong” or “you shouldn’t do that” commentary; he shares his reaction to the image, letting the photographer know how and why he responded to it; when he has a different idea he offers the alternative to the original artist rather than insisting; he illustrates what he might do differently; and he concludes by looping back to the positive aspects of his observations.

I’ve never had the opportunity to observe Michael lead a workshop, but if the approach he uses in the online critiques is any indication, I’ll bet that there is a lot to be learned from him at his workshops.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Commentary, Photographers

Michael’s Frye’s First Post in the ‘Weekly Critique” Series

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I believe I noted earlier that Michael Frye has a new blog and was going to being a weekly photo critique, using a photograph selected from those offered by photographers who follow his blog. He has now posted the first critique in the series, using a wonderful photograph from Tim Parkin. (I was already following and enjoying Tim’s blog.) I won’t spoil the fun by sharing Michael’s critique here, but I’d like to offer a few comments:

Michael knows how to critique. In addition to know his photography – no surprise there – his commentary on Tim’s photograph could serve as a model for anyone who wants to offer effective criticism. (I won’t go into the details, but this is something I happen to know a bit about.) Michael describes what works in the photograph, primarily in the context of what he sees in it. The he shares observations about aspects that Tim might not have known about, offering some ideas about alternatives where appropriate.

In the course of the critique, Michael makes some (obvious to some, not so obvious to many others) points about the nature of landscape photograph. For example, there is a lot to think about in this paragraph:

Of course being in the right place at the right time is a big part of landscape photography. While luck is obviously a factor, luck favors effort, persistence, anticipation, and a willingness to fail. You have to drag your camera out when the chances of success are small. Most of the time you’ll be disappointed, but eventually you’ll get lucky. The ability to anticipate good light and weather conditions comes from experience, local knowledge, and a little intuition. Most photographers have more success making repeated trips to a local park, getting to know the place intimately, then traveling to some exotic, unfamiliar location.

Speaking for myself, it is always fascinating to see what other may see in your own work. I’ll readily admit that I’m incapable of regarding my own photographs in the same way that others do. (Occasionally, perhaps when going back to an image I haven’t looked at for a while,  I think I may get close.) For me the images are wrapped up in all sorts of context that other viewers cannot possibly have – the experience of the time and place in which the photograph was made, knowledge of other attempts to do the same image, perhaps a lot of time “working” the image in post. In this case, I can put myself in Tim’s shoes and imagine what he may have learned to see in his own photograph through this critique.

Good stuff, and I recommend that you follow the link and give it a read.

Commentary, Ideas, Photographers, Technique

Video: Michael Adams on “Moonrise, Hernandez, New Mexico”

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As if on cue, right after I posted my “Photographer versus Photoshopper” piece yesterday, in which I mentioned Adam’s “Moonrise…” photograph, I saw this wonderful video interview with Ansel Adams’ son Michael in which he offers a basic description of the extensive post-processing that Adams applied to the original negative to produce the print we know so well.

The interview also reminded me of another topic for the “Photographic Myths and Platitudes” series that I am thinking about, namely the claim that great photographers always carefully compose and consider their subjects before they trip the shutter. Sometimes they do, but quite often it is more a matter of “tripping” over the tripod as one scrambles to capture a moment of beauty that appeared unexpectedly and which may disappear any second if you don’t work quickly. Of course, well-developed technical and aesthetic instincts help when it comes to turning such a moment into a photograph.

Commentary, News, Photographers, Publications

First Light: Five Photographers Explore Yosemite’s Wilderness

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So, you like landscape photography, right? And you are aware that some of the most beautiful photographic subjects can be found in the back-country of California’s Yosemite National Park, right? And you very much enjoy looking through and absorbing the work of photographers who know the place especially well, right?

You need to pick up a copy of First Light: Five Photographers Explore Yosemite’s Wilderness, published by Heyday Press.

The book features the wonderful photography of a group of photographers whose experience in the park is extraordinary and varied: Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. Right now copies of the book autographed by all five photographers are available from the Ansel Adams Gallery.

(For the record, I have no financial interest in this book and if you purchase through the links in my post I receive no compensation from the sale. I just like the book and the photographers a lot and think you might, too!)