Reflections in new windows during reconstruction at the World Trade Center site, New York City, 2011.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A man chiecks his phone while statnding in an angular urban landscape.
This is a little slice of urban life. I suspect that in another 100 years people will look at photographs from this era and find it odd that we area always looking down at little handheld devices. At least I hope that this is a passing obsession, and that we eventually start to look up again and interact with the world around us rather than just with the virtual world on those little screens.
The person is, of course, the central thing in this photography. But the surroundings are also, I think, rather interesting. The image has an almost cubist quality, being full of rectangular shapes of various sizes, shapes, and colors. Some of them are almost geometrically perfect, but others — like the plastic attached to the cyclone fence — are off-kilter. Even the foreground is composed for rectangles, though they are distorted by perspective effects.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
There is a good chance that you don’t immediately see why this photograph is titled “Happiness…” But now that you’ve looked more closely, you have probably figured it out. Yes, the word “Happiness” appears in large letters on the wall of one of the buildings. On one hand, I suppose it is a nice word to have on your building. On the other hand… does painting a word on the side of the building bring happiness. Feel free to ponder.
Aside from that, this spot in downtown San Francisco has intrigued me for some time. It is an area that has been undergoing a lot of redevelopment, with the new transit center right behind my camera position. I have photographed this curving freeway ramp from the other side of this scene, looking back towards the camera position of this image. There’s something attractive about the curve as it cuts right through the angular forms of this downtown area. I’m also a sucker for reflected light, such as that falling on the closed roadway at the bottom of the frame. You might say that it brings me… happiness.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A parking lot along the edge of San Francisco Bay on a foggy morning.
As the end of August approached I realized that I wanted to get up to the Museum of Modern Art in San Francisco to see the extensive Andy Warhol exhibit. (While I’m not the world’s biggest Warhol fan, I find his work interesting and thought-provoking and seeing this collection was a rare opportunity.) I often combine visits to this museum with photography, and that was the plan this time, too.
As I often do for such visits, I took the train up from my home, arriving fairly early in the morning. It was a somewhat unusual San Francisco morning along the waterfront of the Bay. It was already warm when I arrived, and it was also humid — unusual for California. Despite the warmth, fog was drifting across the inner San Francisco Bay, backlit by the early morning sun. I’ve walked along this section of the bay between the train station and the Ferry Building many times, so at this point I’m often looking for things aren’t your typical San Francisco photographs, and as I walked past this familiar parking lot, standing on old piers right along the water, I was attracted by the lines and curves and the backlit structures.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
