Tag Archives: annual

2014 Favorite Photographs

[Favorites collections from previous years: 2013 | 2012 | 2011 | 2010 | 2009 | 2008]

Welcome to this collection of some of my favorite photographs from 2014.  I’ll get to the photos in a moment — yes, on this page! — but first a few stories, a shout out or two to fellow photographers and friends, and more…

This year I photographed a wide range of subjects from musicians to street photography to minimalist images to landscapes. It is always a challenge to select a few images from this variety of work, and invariably some photographs I love had to be left out. The group of photographs shown here was chosen because I like them, because they have been popular with others, and because they represent the diversity this year’s work. This year I think I can truthfully say that they range from the sublime to the ridiculous. (See if you can find the ridiculous one!)

Many wonderful places, subjects, and (especially) people were part of this year’s photography. Here is a partial accounting: The year began with photography of perhaps my favorite winter subject, the migratory birds and the often foggy landscape of California’s Central Valley — as always with friends David Hoffman, Charlotte Hoffman, Michael Frye, Claudia Welsh, and, of course, my wife Patricia Emerson Mitchell. Early in the year we traveled to Yosemite for a few days of shooting in conjunction with the opening of the annual Yosemite Renaissance exhibit, which again included some of my work — and in addition to the photography, it was great to see so many photographer/artist friends in the Valley. In the very early spring we had a good visit to Death Valley, one of my favorite and most frequent subjects — where we encountered snow and, for the first time in my life, I photographed wildflowers in a snowstorm! Among the summer highlights was a train trip across the US to spend a week photographing (and eating and much more) in New York City. Near the end of the summer I joined a group of good friends (Charlie Cramer, Keith Walklet, Mike Osborne, Scot Miller, Annette Bottaro-Walklet, Karl Kroeber and a supporting cast of mules and wranglers) for an extended back-country shoot in Yosemite. Fall took me back to the Sierra for nearly a week of aspen color chasing, and then I made my way back to Utah for fall color and visits to some beautiful out of the way places and ultimately to meet up with family. (Thanks to fellow photographers on that trip: David Hoffman, Guy Tal, Colleen Miniuk-Sperry, Michael Gordon, Charlie Cramer, Bruce Hucko — and to my cousin Barbara and her husband Russ and a few in-laws I met up with near the end of the trip in Zion.) My biggest photographic focus during the fall was the completion of my three-year project to photograph professional classical musicians — and I’m very grateful to the musicians, conductors, management, and staff of the San Jose Chamber Orchestra and Symphony Silicon Valley for their incredible cooperation.

A big “thank you!” to all of you who have followed my photographs here and on social media during the past year, and especially to fellow photographers (a few of whom appear in one of the photos!) that I’ve been fortunate to work with and count as friends. I’m grateful for your support! If this is your first visit to my site, consider bookmarking it, using the sidebar form to subscribe by email and/or…

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Wishing everyone Good Light in 2015!

G Dan Mitchell

(Click on any photograph below to switch to a larger scrolling view for best viewing. And I would love to hear what you think — which are your favorites in the group and so forth. Thanks!)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

2013 Favorite Photographs

“With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.” – Ansel Adams

I have compiled annual “favorites” collections for almost ten years. Each year I think this will just be an exercise in selecting photographs, and each year I rediscover that it is more than that – an opportunity to reflect on growth and new ways of looking at the world, a chance to think forward about what is yet to come, a time to recall a year of places and experiences and friendships.

It is a hard to distill a year’s work down to a few photographs, and I’m afraid that I can’t reduce the number to the extent that some can. This year I have – painfully! – gotten it down to 18 images, which is perhaps still too many. But it is 25% fewer than the 24 I shared last year! (Adams also said, “Twelve significant photographs in any one year is a good crop.” So feel free to regard up to a half dozen of these as being insignificant! ;-)

Many things affected my final selection. High on the list is how others – including many of you – responded to my photographs. I often say that the photographer is the person least able to objectively view and understand his/her own work, and I value the feedback and response that you share with me. On the other hand, I like to include some photographs that get less attention because I believe in them. I also include examples from my diverse range of subjects – people, wildlife, landscape, cityscape and street, night photography.

Speaking of a range of subjects, this was a year of interesting and diverse photographic adventures. Some were familiar – visits to Death Valley, the nearby Pacific Coast, the streets of San Francisco, familiar Sierra locations, and more. Others reflect more recent interests, such the migratory birds of California’s Great Central Valley. I spent more than a week camped in a remote Sierra Nevada location with photographer friends, becoming deeply familiar with the details of that particular landscape. I traveled to urban destinations: New York City, London, Germany, Austria. I continued work on my long-term project to photograph classical musicians.

But, enough introduction. In no particular order, though grouped according to subject, here are some of my favorite photographs of 2013. For those who want to know more, I have included links to the original posts of the images, where you may read more background – click the images themselves or the “original post” links.

(I am on social media: My blog | Facebook | Google Plus | Flickr | Twitter | Pinterest | LinkedIn. And, yes, prints are available – see the Sales link for more information or send me an email.)

Coastal California

I am very fortunate to live relatively close to a huge range of photographic subjects. One of the closest and most impressive is the Pacific Ocean coastline of California, and it is near enough that I can head over there for a morning or an evening when the conditions seem promising.

Beach and Bluffs, Evening

Beach and Bluffs, Evening. Pacific Coast, California. August 2, 2013.

Evening light and fog along the Pacific coast north of Santa Cruz, California. (Original post)

Living less than an hour from the Pacific coastline south of San Francisco, I have the good fortune of being able to shoot there often, and I have come to know some sections of this coastline very well. On this summer evening I was cruising up the coast looking for subjects when I passed this familiar location, one that I had passed many times without stopping due to the scarcity of places to pull over on this narrow highway. The hazy fog, the warm evening light, and the curving surf line got my attention and this time I stopped, put a long lens on the camera, and made this exposure while standing far too close to the passing traffic.

Continue reading 2013 Favorite Photographs

Thinking About Yosemite’s Horsetail Fall

Horsetail Fall
Horsetail Fall

Horsetail Fall. Yosemite National Park, California. February 15, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved. *

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley.

This being February, it seems that Horsetail Fall has again (and more every year) become a hot topic. Horsetail Fall, sometimes referred to as the “Natural Firefall” has been popularized to an absurd and, frankly, dangerous level on social media and in the press. To be honest, I now recommend that you not go.

The conjunction of elements required to produce the most spectacular Horsetail Fall “event” is complex. First, it depends on the geological coincidences of the placement of the fall in a spot hight on the face of El Capitan that receives a narrow beam of sunset light during two brief periods each year. Second, the fall must be running – in roughly the middle of winter. The area supplying water to the fall is high enough to be snow-covered in a typical winter, but low enough that snow can melt and start the fall flowing even in the cold season – but this is not a sure thing. Essentially, there must be snow and then some warmth to melt it, or else some significant warm rain. Third, a series of meteorological events must play out just right. Obviously, the upper face of El Capitan must be clear of clouds. (Yosemite Valley fog and clouds ringing the cliffs are rather common in the winter season.) The sky west of the Valley must also be clear all the way to the horizon since the best color occurs just before the sun hits the horizon.

Most often the requirements do not align. Many of us can tell stories of light getting better and better, leading toward a brilliant finale… and then the “lights going out” just at the peak of color as the sun dropped behind clouds far to the west.

Hundreds and hundreds Thousands of photographers now show up to try to photograph the thing. I’ve done it in the past, though I’m no longer interested these days – partly because of the absurd crowds and partly because I’m often busy photographing other interesting things!

My best memory of photographing Horsetail was years ago when the park service was doing major road work on Northside Drive, the road along that side of the Valley. The road was completely closed as were the cross-valley roads that travel between Southside and Northside Drives. It had snowed and there was perhaps a foot or more of snow along this section of the Valley floor. I wanted to photograph the fall from a location on the north side of the Valley, so my only option was to put on lots of warm clothes, load up a pack of camera and other gear, and walk across the Valley in the snow. I arrived long before sunset, so I first walked west to El Capitan Meadow where I photographed in rare quiet and solitude on this car-free and carefree late afternoon. Later, I quietly walked back along the road to my shooting location and found perhaps three or four other people there. This quiet, peaceful, and relatively uncrowded experience became my touchstone for photographing Horsetail.

If you go today, there is no way that your experience will be even close, unfortunately.

In recent years, as more people have acquired digital cameras and become more serious about their photography and as the renown of the fall has increased, the crowds have also increased to the point that they have become unmanageable and are damaging the park. As I revise this article in 2020, the problem has become so acute that the park service has wisely put severe restrictions on access — there is no stopping allowed along large sections of nearby Valley roads and one of the popular locations has been completely closed due to damage to forest, meadows, and the river.

* Note: In a wonderful video about Horsetail Fall, Ansel Adams’ son Michael Adams speaks eloquently about his father’s early photographs of the phenomenon. I was intrigued by his comment that Ansel might not have photographed the fall the way we do now because he couldn’t – since he worked with black and white photography. Thinking of this, and being full of myself today, I thought that I’d post a black and white photograph of Horsetail Fall! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

2011 Favorites

It is always very difficult to select a set of my annual “favorite” photographs. I inevitably find that I have left out photographs that others like a great deal, and I know that I include some that I like but which may not appeal as much to others. And I always want to include more! :-)

With that in mind, here is a group of slightly more than twenty favorite photographs that I made in 2011. Criteria for inclusion, loosely and subjectively applied, included: a desire to include a wide range of my work, what others told me they liked, photographs that have positive personal associations for me, and element of randomness.

There is a story behind every photograph that I make. (As anyone who has talked to me about one of my photographs probably knows – I can go on… and on… and on… about any of them!) If you want to know more about any of the photographs, you can click on them to go to the original posts here at the blog. And I’d love to hear your reactions to the set, along with any questions you have – there is a place for comments at the bottom of the page.

I hope you enjoy my 2011 Favorites!

Dan

(There is also a gallery version of 2011 Favorites – which may be better for low bandwidth connections.)

Yellow Buildings, Shadows, Moving Clouds - Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.
Yellow Buildings, Shadows, Moving Clouds - Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

Continue reading 2011 Favorites