Tag Archives: annual

Thinking About Yosemite’s Horsetail Fall

Horsetail Fall
Horsetail Fall

Horsetail Fall. Yosemite National Park, California. February 15, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved. *

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley.

This being February, it seems that Horsetail Fall has again (and more every year) become a hot topic. Horsetail Fall, sometimes referred to as the “Natural Firefall” has been popularized to an absurd and, frankly, dangerous level on social media and in the press. To be honest, I now recommend that you not go.

The conjunction of elements required to produce the most spectacular Horsetail Fall “event” is complex. First, it depends on the geological coincidences of the placement of the fall in a spot hight on the face of El Capitan that receives a narrow beam of sunset light during two brief periods each year. Second, the fall must be running – in roughly the middle of winter. The area supplying water to the fall is high enough to be snow-covered in a typical winter, but low enough that snow can melt and start the fall flowing even in the cold season – but this is not a sure thing. Essentially, there must be snow and then some warmth to melt it, or else some significant warm rain. Third, a series of meteorological events must play out just right. Obviously, the upper face of El Capitan must be clear of clouds. (Yosemite Valley fog and clouds ringing the cliffs are rather common in the winter season.) The sky west of the Valley must also be clear all the way to the horizon since the best color occurs just before the sun hits the horizon.

Most often the requirements do not align. Many of us can tell stories of light getting better and better, leading toward a brilliant finale… and then the “lights going out” just at the peak of color as the sun dropped behind clouds far to the west.

Hundreds and hundreds Thousands of photographers now show up to try to photograph the thing. I’ve done it in the past, though I’m no longer interested these days – partly because of the absurd crowds and partly because I’m often busy photographing other interesting things!

My best memory of photographing Horsetail was years ago when the park service was doing major road work on Northside Drive, the road along that side of the Valley. The road was completely closed as were the cross-valley roads that travel between Southside and Northside Drives. It had snowed and there was perhaps a foot or more of snow along this section of the Valley floor. I wanted to photograph the fall from a location on the north side of the Valley, so my only option was to put on lots of warm clothes, load up a pack of camera and other gear, and walk across the Valley in the snow. I arrived long before sunset, so I first walked west to El Capitan Meadow where I photographed in rare quiet and solitude on this car-free and carefree late afternoon. Later, I quietly walked back along the road to my shooting location and found perhaps three or four other people there. This quiet, peaceful, and relatively uncrowded experience became my touchstone for photographing Horsetail.

If you go today, there is no way that your experience will be even close, unfortunately.

In recent years, as more people have acquired digital cameras and become more serious about their photography and as the renown of the fall has increased, the crowds have also increased to the point that they have become unmanageable and are damaging the park. As I revise this article in 2020, the problem has become so acute that the park service has wisely put severe restrictions on access — there is no stopping allowed along large sections of nearby Valley roads and one of the popular locations has been completely closed due to damage to forest, meadows, and the river.

* Note: In a wonderful video about Horsetail Fall, Ansel Adams’ son Michael Adams speaks eloquently about his father’s early photographs of the phenomenon. I was intrigued by his comment that Ansel might not have photographed the fall the way we do now because he couldn’t – since he worked with black and white photography. Thinking of this, and being full of myself today, I thought that I’d post a black and white photograph of Horsetail Fall! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

2011 Favorites

It is always very difficult to select a set of my annual “favorite” photographs. I inevitably find that I have left out photographs that others like a great deal, and I know that I include some that I like but which may not appeal as much to others. And I always want to include more! :-)

With that in mind, here is a group of slightly more than twenty favorite photographs that I made in 2011. Criteria for inclusion, loosely and subjectively applied, included: a desire to include a wide range of my work, what others told me they liked, photographs that have positive personal associations for me, and element of randomness.

There is a story behind every photograph that I make. (As anyone who has talked to me about one of my photographs probably knows – I can go on… and on… and on… about any of them!) If you want to know more about any of the photographs, you can click on them to go to the original posts here at the blog. And I’d love to hear your reactions to the set, along with any questions you have – there is a place for comments at the bottom of the page.

I hope you enjoy my 2011 Favorites!

Dan

(There is also a gallery version of 2011 Favorites – which may be better for low bandwidth connections.)

Yellow Buildings, Shadows, Moving Clouds - Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.
Yellow Buildings, Shadows, Moving Clouds - Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

Continue reading 2011 Favorites

RAW File Review – Rediscovering the Past

After returning from New York City last week, I took on the daunting task of reviewing about eight years worth of raw files. (Anyone who has tried probably just exclaimed, “yikes!,” or something much less polite… :-)

I’m _very_ conservative when it comes to deleting raw files, figuring that it is better to end up keeping files I don’t need than to find out that I trashed something that could have been useful. In addition, as I do an annual review of the previous year’s raw files every winter, I invariably discover a few good photographs that I had somehow passed over or failed to notice at the time I made them.

As non-fun as the process of reviewing tens of thousands of files can be, there are some worthwhile results, including:

  1. I do delete a fair number of just plain useless files that have been cluttering up my hard drive. I figure that if it wasn’t interesting a the time I took it, wasn’t interesting during my annual raw file review, and still isn’t interesting a few years later… it may be time to get rid of it.
  2. I find some (to me, anyway) real treasures that I had overlooked to misunderstood or simply forgotten at the time. At some point I’ll write more about why this happens, but it is not unusual to fail to understand how a photograph works right after making it. But when viewed with some temporal distance, some photographs turn out to surprise me by how successful they might be. So one of the pleasures of this otherwise daunting task is the discovery of such images.
  3. I relive experiences related to the making the photographs. When I view my own photographs, the visual imagery is always associated with non-visual experiences that were part of the process of making the photo. When I “rediscover” some of these older image – even some that turn out not to be photographically worthy of sharing – I also rediscover those experiences that I had forgotten and all sorts of memories return. (Among those in this batch are many of my family – especially fun during the week when our youngest son moved off to a different city of get his first job.)
  4. I learn things about my own photographic growth that might not be apparent when only considering the most current work. For example, I’m often struck by how certain themes and ways of seeing that I’ve come to recognize more recently were already present in work done quite a while ago. Understanding this is important, I think, to developing self-awareness as a photographer.

Jim M Goldstein’s Gigantic “Best Photos of 2010” Meta-List

For the past few years photographer and blogger Jim M. Goldstein has been collecting and sharing an annual list of online photographers’ “best of the year” posts. (More and more of us make this an annual event around the time of the New Year – I posted my 2010 Favorites list a couple weeks ago.)

Today, after what must have been a very complex organizational task, Jim posted his Best Photos of 2010 list. It now includes the work of over 160 photographers – yes, I’m in the list – and if you take the time to follow his links you’ll find a wide range of photography including some stunning and compelling work. If you have some free time (or your boss isn’t looking… :-), wander on over to his link and enjoy!

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.