Tag Archives: artist

Double Bass, Backstage

May 24, 2014 G Dan Mitchell 1 Comment

A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley

This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I “stalk” those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.

This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the “industrial” surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I’m fascinated by what an instrument is and what it isn’t. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can’t otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really “primitive” technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.

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Photographs: Music & Musicians

Cymbals

May 22, 2014 G Dan Mitchell 2 Comments

Cymbals on a rack, ready for use at a Symphony Silicon Valley rehearsal

The percussion section of a classical symphony orchestra, especially when somewhat modern music is performed, can be a rich source of photographable objects, shapes, colors, texture, and reflections. Between pieces, or during breaks, I get to stalk the stage and have free rein to wander around that find and photograph these interesting objects.

The subject here is pretty straightforward. When not being played, cymbals are kept safely (and quietly!) stashed on covered tables or in holders. Here a line-up of multiple cymbals was in racks, waiting to be picked up and played.

Photographs: Music & Musicians, Photographs: People

Low Strings, Rehearsal

October 6, 2013 G Dan Mitchell 5 Comments

Members of the cello and double bass sections of Symphony Silicon Valley at a September 27, 2013 rehearsal

And now, as they say, something entirely different. I am midway into a three-year project that has me photographing classical musicians in San Jose, California – primarily the Symphony Silicon Valley and the San Jose Chamber Orchestra. Symphony Silicon Valley is the direct descendant of the San Jose Symphony, a group that has been described as the longest running symphony orchestra in the western United States. The San Jose Chamber Orchestra is a smaller group that has a reputation for exciting and high quality performances and for promoting new works by living composers.

Since many of my usual photographic subjects are inanimate objects – as we like to say, “Rocks. Trees. Water.” – photographing performing artists is, in many ways, a very big change for me. This work is all about the people and, in fact, the point of the project is to tell the stories of these artists in a more complete way, showing and telling aspects of what they do that are not usually seen by the public and concert-goers. It was a bit of a stretch for me at first, walking around among performing artists and finding ways to see what they do photographically and record what they do and show who they are. However, I may have an advantage or two over some who might try to photograph such subjects. I have a lot of background in music, having taught it at the college level for many years, having been a performer myself at one time, and being married to a fine musician. There is as much music as photography in my life, and for this reason I believe that I am sensitive to aspects of the musical life that might not be apparent to other photographers who don’t have this background. Related to this, I have personal friendships among many in this world, which gives me a bit of an entre that has helped a lot.

I’ll likely share more of this work from time to time – from among the 2000 or more photographs that I have made so far. This photograph was made at a rehearsal of Symphony Silicon Vally in late September, 2013. Here the orchestra is preparing their performance of Prokofiev’s Lieutenant Kije Suite. (Folks who know the music might even be able to figure out where they are in the work – there is a hint in the photo.) For this shot I photographed from the balcony with a long lens in order to compress the perspective of this part of the stage occupied by some of the orchestra’s low string players.

Events, Photographers, Photographs: People, Photographs: Photographers, Photographs: San Francisco

Arthur Tress, De Young Museum

March 11, 2012 G Dan Mitchell Leave a comment

: Photographer Arthur Tress speaks about his photography on March 9, 2012 at his exhibit at the De Young Museum, San Francisco.

Photographer Arthur Tress speaks about his photography on March 9, 2012 at his exhibit at the De Young Museum, San Francisco.

Last week I was fortunate to be among a small group of San Francisco Bay Area photographers invited by Adobe to attend an event at San Francisco’s De Young Museum in connection with the opening of “San Francisco 1964,” an exhibit of the photography of Arthur Tress. The exhibit includes a large selection of work which, as I understand it, Tress shot as a young man upon his arrival in San Francisco in 1964, the year when both the Republican Convention and the Beatles arrived in The City.

While Tress’s photographs are certainly interesting historically in that they capture many elements, both small and large, that characterize the visual nature of that time, they are also just plain wonderful photographs. Many capture odd and ironic juxtapositions of elements, others focus on the people watching the main events (civil rights demonstrations, etc) taking place in front of them – and some are simply touching recordings of individual people. (One of my favorites, among many, is a haunting but seemingly simple photograph of a young woman sitting at a table.)

If you are a Bay Area photographer or photography aficionado – or even a fan of the history of the Bay Area – I encourage you to visit the De Young to see this show. And, again, thanks to Adobe for giving me the opportunity to see the photographs and, even more, to hear Tress speak about his work. (This photograph of Tress is presented in black and white and in a square format – once you see his show you will understand why… ;-)

G Dan Mitchell Photography

Tag Archives: artist

Double Bass, Backstage

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Low Strings, Rehearsal

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Arthur Tress, De Young Museum

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.