Tag Archives: bass

Photographs: Italy, Photographs: Music & Musicians, Photographs: New York City, Photographs: Urban/Street

Illusions, Manhattan

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Illusions, Manhattan
Illusions, photographed on a Manhattan street in winter.

Illusions, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Illusions, photographed on a Manhattan street in winter.

This photograph may not be quite what it first appears to be. First hint? I made “this photograph” on the streets of Manhattan on a very cold winter day. Perhaps you are now looking a bit more closely. Possibly you have noticed that odd white area on the woman’s face and wondered what it is. If you looked very closely at the scene you may have noticed a few other incongruities. I hope you wondered about the nature of the borders at the top and bottom of the image.

“All photographs lie.” This is a line I repeat frequently when certain ideas about photographs and photograph arise. I’ll admit that the statement is a bit of a cheap shot, but I say it to provoke some folks to think differently about photography, particularly the notion that it is real or that being “real” is it primary purpose or goal. The “lies” in the photograph I present here are on multiple levels, and I’ll mostly leave you to ponder them on your own.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Music & Musicians

Double Bass, Backstage

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Double Bass, Backstage
Double Bass, Backstage

Double Bass, Backstage. San Jose, California. May 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley

This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I “stalk” those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.

This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the “industrial” surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I’m fascinated by what an instrument is and what it isn’t. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can’t otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really “primitive” technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Music & Musicians

Bill Everett, Bass

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Bill Everett, Bass
Bill Everett, Bass

Bill Everett, Bass. San Jose, California. January 12, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Principal double-bass Bill Everett practices backstage at a concert of the Symphony Silicon Valley

This photograph of principal double-bassist Bill Everett practicing backstage at a concert of the Symphony Silicon Valley is among my favorites so far from my three-year project photographing professional classical musicians. During this project I have extensive access to the performers and backstage areas, and I’m attending many rehearsals and concerts – so many and over such a long period that I am able to develop personal relationships with the musicians, find and use interesting little bits of stage lighting that others might miss, and learn to see and photograph elements of the musicians’ work that others might miss.

As I have worked the rehearsal and performance halls I have gradually learned a lot about subtle lighting opportunities in the backstage areas. I know keep an eye out for people who wander into this prime light spots, and when I see them there I quickly take advantage of the opportunity. Bill had, likely with no conscious thought, located himself directly between a backstage work light and essentially cast a vertical spotlight on him and his instrument. I stood nearby with a medium long lens and was able to make several photographs of him as he focused his attention on a bit of music from the performance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.