Tag Archives: camera

Backpacking Photography Equipment – My Approach

Since the summer backpacking season is upon us – though it will be at least a few more weeks before I’m out and about in the back-country – it seems like a good time to post a pointer to a post I wrote earlier (and update every year) about my backpacking photography equipment.

I have backpacked in the Sierra Nevada – and occasionally elsewhere – for more than four decades, believe it or not. My total time on the trail can be measured in years if you add it all up. Over the years I’ve gone through a diverse range of approaches to integrating my photography with my time on the trail: early on I used to carry film SLRs, I gradually moved to smaller and lighter and less capable cameras, for a while I decided to not let photography interfere with the backpacking experience at all, and these days the photography has again become a primary reason for the backpacking.

I’ve evolved an approach to doing serious photography on the trail that works really well for me. It has to do partly with the selection of equipment that I’ve come to use, but it also has to do with my philosophy about what, when, where, and how to shoot. If you are serious about doing photography on the trail, I hope that the article has something to offer to you, whether your approach turns out to be similar to or quite different than mine.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Somewhat Humorous Yosemite Story

When I’m out photographing I cart around the typical pile of stuff – the big, squarish bag of camera bodies and lenses and accessories, the tripod, the works. And when I photograph in popular places I make it a habit to offer to take photographs of folks with their P&S cameras. You know the scene – the family traveled hundreds or thousands of miles to get to some beautiful place, but one member of the family is missing from every photo since someone has to hold the camera. (The embarrassing thing is that sometimes I don’t understand how to operate these little cameras, but that is a story for another post.)

Put the two together and some surprising and odd conversations can ensue. Last Saturday I was in the Happy Isles area of Yosemite Valley looking for dogwood trees in bloom when I saw a mother about to snap a photo of (I presume) her daughter, so I asked if they would like me to use their camera to take a picture of the two of them together. I put down my bag and left the camera on the tripod and made the photograph. The woman inspected the photo, seemed to approve, then looked at me and my stuff and asked, “Hey, you aren’t Mr. Adams, are you?”

Sometimes it is so hard to avoid saying the wrong thing in reply, but I think I more or less succeeded… ;-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wherever We Are Headed, We Certainly Are Not There Yet

Contrary to those who feel that with the introduction of multiple reasonably-priced 20+MP full frame DSLR camera there isn’t much room left for advancement and change, I think that the camera market is still truly dynamic.

One assumption that many make is that the high photosite density full-frame DSLR cameras will “take over” the part of the photographic world previously occupied by medium format (MF) film cameras. Several observations seem to support this notion. The resolution available from carefully used high end DSLRs with the best lenses certainly can compete with that of medium format film, and the arguable advantages of the larger format in terms of image quality would not be enough to convince many to give up the conveniences and lens choices of the best DSLR systems. Even those who might prefer to shoot medium format digital back systems – and I count myself as among those who are interested – are often not in a position to be able to afford the stratospheric cost of the best medium format systems, despite the fact that they compete with large format for image quality.

Some have argued that the costs of the high end systems cannot possibly come down. Some argue (falsely, I believe) that the high costs can not drop because, unlike the costs of computer memory, they are determined by factors that are not subject to scaling. Some argue that the market will never be big enough. However, these folks made the same arguments about the very types of cameras that are now becoming available in the DSLR market – the 20MP and higher full frame sensor camera. Not long ago these cameras cost roughly $8000 and were available from only one manufacturer. They now cost a third of this and are available from at least three vendors.

If you think this cannot happen in the medium format market, perhaps you need to watch a bit more closely. Recently Mamiya introduced a basic medium format digital system (admittedly not one defining the high end of this market segment) at a cost of around $14,000 if memory serves. This week Phase One announced 40 MP medium format backs at cost in roughly the upper teens ($15,000 or thereabouts) range. There are certainly higher priced backs available, but it was only a year or two ago that the 35MP MF backs were the high end – and cost perhaps two or three times this much.

It seems to me that these developments are moving toward bringing MF digital systems to a price point where some who might now get a high-end DSLR system may be able to instead think about going MF.

(Note added later: I just want to acknowledge that I do understand that there are reasons besides pixel dimensions – e.g. number of photosites/MP – to choose MF, and that I also understand that there are reasons other than cost to choose a DSLR. :-)

Welcome to Visitors from the 5dmk2 Blog

I noticed a spike in visits this morning that I’ve traced back to a reference in a post at the 5DMk2 blog at 1001 Noisy Cameras to yesterday’s post here about Live View on the 5DII. Thanks for the link, and welcome to visitors entering my blog world through the 1001 Noisy Cameras doorway. (And for those who arrived via a different route, if you are interested in the 5D2 and related topics, you should wander on over to the 5DMK2 blog once you finish up here.)

The two points I wrote about yesterday (the benefits of live view for depth of field preview and for shooting with very dark ND filters) are not the only benefits of the live view feature. For example, I earlier wrote about its value when doing night photography, and quite a few of my recent wildflower photos took advantage of it. Before long I hope to write up a more complete article outlining the range of uses for live view.

If this is your first visit to my blog, take a look around. I post a daily photograph (recent work has come from Death Valley and a number of central California locations) and the occasional opinion or news piece. You can subscribe via RSS (link near the top of the page) and members are welcome to post discussion messages.

(Shortly after posting this I got a message from B&H photo saying that they again have the Canon EOS 5D Mark II in stock, and unlike some other dealers they sell it with no markups at the list price of $2669.95.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.