Tag Archives: screen

Photographs: Agriculture, Photographs: Structures and Objects, Photographs: Urban/Street

Looking In

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Looking In
Looking into an old mansion through a screen left ajar.

Looking In. © Copyright 2022 G Dan Mitchell.

Looking into an old mansion through a screen left ajar.

We were at this location to photograph flowers, but I almost always keep an eye out for other subjects besides the one I came for. This large public garden is centered around a historic mansion, and at times I found the old building to be as interesting as the flowers that were my object. I noticed that the outer screen didn’t quite close all the way, and then I noticed that a warm lamp was barely visible inside the building. Looking in at the warmly lit interior scene, as vague as it is, evokes memories of such places in the winter.

This is one of those photographs that —once again! — proves the point that we often do not expose for some compromise, straight-out-of-camera shot. instead, I like to think about what exposure will give me the image data that I can use to in post to produce an image that is true to what I saw. Here I had to control the brightness of the exterior — which was fortunately muted a bit as the sun passed behind some clouds —while getting enough of an image in the dark and subtle interior that I could work with it in post.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

My Kitchen Window

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My Kitchen Window
My Kitchen Window

My Kitchen Window. San Francisco Bay Area, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The view through blinds hanging outside my kitchen window.

Yup. My kitchen window. Why, you might wonder, did I make this photograph? I think there might be three reasons.

First, I’ve often said that I believe that I can find something to photograph within a few feet of anyplace I might find myself. A few photographer friends could tell you stories about me shooting from basically one spot for, on occasion, hours. Right now I’m recalling a meeting with a friend in Death Valley. We went to photograph a beautiful canyon area that I had overlooked and which she wanted to show me. We set up to shoot – I was on top of a small rise. As she ran around discovering this and that and the other fascinating thing, I continued to shoot from my original spot, perhaps for as long as an hour. It’s not that I don’t like to move. I can hike as well as the next photographer. But sometimes I can find so much in a small area that I don’t want to move. And I sure didn’t have to move much at all for this shot. I didn’t even have to leave the house!

Second, and speaking of house, there is a bit of a tradition among some photographers of making photographs in their immediately living environment. Here I’m thinking of a post from, if I recall, Cole Weston that I saw recently in which he shared photographs from seemingly mundane places… including his house and maybe even his bedroom. I believe that Huntington Witherill made the initial photographs for many of his beautiful digital manipulations of flowers in a spot in his home. And on and on. So, what the heck, a shot from my home. (Compared to these other photographers, I have to admit that my “home-grown” photographs have a way to go!)

Third, I had a new camera and I was anxious to try it out. The camera is a bit of a departure from the gear I usually use. (Typically I shoot with a full-frame DSLR system.) Because of some situations in which I want to travel and shoot light and fast, I decided to pick up a Fujifilm X-E1 along with a small set of lenses. This is a small mirrorless “rangefinder style” camera with similarly small lenses. (You can read more about the camera and my initial impressions here: “Fujifilm X-E1: From DSLR to Mirrorless. Hint: I like it.”) So this was probably just about the first photograph I made with that camera.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Trees, and Granite – Upper Young Lake

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Alpenglow, Trees, and Granite - Upper Young Lake
Alpenglow, Trees, and Granite - Upper Young Lake

Alpenglow, Trees, and Granite – Upper Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Alpenglow light on trees growing among granite boulders below glacially carved cliffs at Upper Young Lake.

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the lower Young Lake – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit to Upper Young Lake. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or even after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)

G Dan Mitchell Photography
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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Red Tile and Door

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Red Tile and Door
Red Tile and Door

Red Tile and Door. Mission District, San Francisco, California. February 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

A stripe of bright red tiles and dilapidated doors in San Franciso’s Mission District.

This photograph was made early in 2010, and is one that I dredged up from the “archives” during the year-end process of reviewing all of my thousands of 2010 raw files. I had been in San Francisco with some spare time and I found myself in the Mission. This area is a great resource for photography, so I set out on foot to look for subjects along the crowded streets of this neighborhood. A small girl behind the heavy screen door on the left (barely visible in this photograph) first caught my attention, but I also found the juxtaposition of horizontal and vertical lines interesting along with the very weathered and distressed doors and walls. The thin line of brilliant red tiles was striking against the dark and dingy background.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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