Tag Archives: dslr

The Economics of DSLR “Protective” Filters

The subject of whether or not to get so-called “protective” UV filters for DSLR lenses comes up a lot. I used to respond to the question frequently – so frequently that I eventually gave up and just wrote a post on the subject that I could refer people to when they ask.

However, during a recent weak moment I wrote a new response to the notion that ‘protective’ filters provide good value for all photographers. As I do from time to time, I’m sharing it here:

Someone wrote: … would you rather pay $150 on a filter that *might* compromise your shot or spend $150 on replacing the front element and have *no* possible risk of image degradation from the extra piece of glass?

I replied: This is essentially an insurance question. Obviously, if we knew that our lens would certainly be destroyed in a way that was 100% preventable by using a filter we would almost certainly get a filter. But that is an imaginary scenario that is far from reality.

Most lenses will never be damaged in any serious way. My hunch is that this is actually the fate of a very small percentage of lenses – probably far less than 10%, and I would bet closer to 1%.

Of those that are damaged, only some will suffer a blow to the front element. There are many other modes of failure – a dropped lens that breaks the mechanism, something crashing into the side of the lens, water damage, etc.

Of those that suffer a blow to the front of the lens structure, only some will result in contact with the front element. Of those in which contact with the front element occurs, some would not cause any damage or any significant damage. Some would damage the front element, but would be violent enough that the filter would not have prevented the damage. A few that might not have damaged the front element will send glass shards from the broken filter into the front element and damage it. In some subset of cases, all of the variables might line up just right and prevent damage.

At this point the user would have to replace the broken high quality filter at a cost that varies depending on a number of factors. Let’s use a figure if $100 for an expensive L zoom. The owner has now invested something on the order of $200… which is not much different from the cost of replacing a front element, as I understand it.

In terms of the probability of damage, the cost of the filter, the likelihood that the filter would save the day… the filter is probably one of the worst insurance investments you could make.

Am I unalterably and completely opposed to the use of ‘protective’ filters? Almost, but not quite. While I do not think that it makes sense to automatically stick such a filter on every lens for general use – see the link above for more on this topic – I can think of one sort of situation in which I might use one. I would consider a filter if I were shooting a sealed-body camera (such as a Canon 1-series) and was working in conditions that were truly dangerous to my equipment (and not just a bit of mist or ocean spray) and I was using of the small number of L lenses that become sealed (and not all do) with the addition of a filter.

Other than that? No.

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Megapixel Mania – An Extended Riff

I read (yet another… ;-) megapixel rant somewhere online yesterday, and it got me thinking again about the fixation on megapixels as a measure of camera “value,” and the odd and sometimes irrational ways that people respond to this issue. It is well known that over the past decade or more, as digital photography technologies have become more and more prevalent (displacing film in many areas), camera technology has continued to advance in many ways. Among these advances is the ability to increase the number of photosites on sensors of a given size – e.g. give us “more megapixels.”

The responses to this tend to fall into three broad categories: Continue reading Megapixel Mania – An Extended Riff

Why Can’t Digital Cameras Be Like Film Cameras?

I was in San Francisco today with my family and my sons wanted to visit a Salvation Army store to check out old camera equipment. Both of them are intrigued by the older 35mm film cameras. In the display case we saw a couple Canon AE-1 cameras, a Canon AE-1 Program (?), and an Olympus OM-1. These are, if I’m not mistaken, cameras from the 1970s. “Back in the day” I shot with a couple of small Pentax bodies from the same ear, the ME and the MX. (Each son has one of those bodies now.)

At this point, I’m a confirmed digital photographer – I have virtually no interest at all in shooting film again. I can sort of understand the retro appeal of film, and I don’t resent those who like to use it. (Though I’ll admit that I can get a bit annoyed when some folks become self-righteous about it… :-)

That said, the better cameras from the era are beautiful little mechanical/optical marvels. At one point I pulled out my excellent Canon EF 50mm f/1.4 lens – a great performer and a lens I rely on a lot – and held it next to the 50mm f/1.8 lens from the OM-1. My Canon lens simply looks like a big plastic toy next to the efficient and well-crafted little metal Olympus lens. And the body of the camera is solid and tight, and barely larger than the biggest point and shoot style digital cameras today. The control systems are simple and direct – the OM-1 aperture and shutter speed controls are both on the lens barrel, a simple switch turns the meter on and off, there is a MLU switch, and the viewfinder with its match-needle meter is big and bright. These are cameras that don’t give the appearance of trying to look like space ships and that don’t shout “my camera is bigger and more expensive than your camera!”

If a current manufacturer came out with a DSLR body like these, I’d be an immediate customer.

By the way, early happy birthday to Jameson – and enjoy your new OM-1!

(Update: After a comment from Jim Goldstein, I clarified a few things about this idea in a follow-up comment.)

Shopping for your first DSLR? Some Advice

Recently I’ve seen a lot of posts around the web by individuals looking to upgrade from point and shoot cameras to their first DSLR – and in a few cases by folks who intend to bypass the P&S step entirely and just start right out with a DSLR.

Among these folks the questions are usually “which camera should I get?” and “what lens(es) should I get?” These questions are phrased in various ways: “Is camera X a good choice?” “What is the best lens for Camera Y?” “I hear that lens/camera Z is the best – is this right?” “I’m just getting started and I plan to get the very best camera and lens available.” “What lenses do I need to complete my setup?”

While there are exceptions to almost every rule, in the case of new DSLR shooters I have some strong opinions about what the best approach will be in most cases. The good news is that the “right” answer is probably also the least expensive, the most conducive to learning about your relationship to DSLR photography, and the most adaptable to a variety of future directions that you might find your photography taking. Continue reading Shopping for your first DSLR? Some Advice