I made this photograph at that time of day when the shadows were long and most areas beneath trees were in the soft light. That seems to work better for this sort of photograph, which would have way too much contrast in full sunlight. Photographs of largely random subjects always end up being trickier than I think they will be. Once I see the subject framed in the viewfinder, it turns out to be a challenge to find a composition that works.
This area beneath large lodgepole piles was completely covered with a layer of fallen cones, intermixed with some pine needs and a few branches. The number of cones was actually remarkable, and it reflects the impressive fertility of these trees.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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