Tag Archives: interior

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

FLAG M

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FLAG M
Painted brick wall of an old building, San Francisco

FLAG M. San Francisco, California. February 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Painted brick wall of an old building, San Francisco

I seem to be in a bit of a black and white frame of mind today! A few weeks ago I had a chance to head up to San Francisco for a day, mainly to visit the San Francisco Museum of Modern Art (SFMOMA), but also to potentially do a bit of photography. As it turned out, virtually all of that day’s photograph was done in and around the museum, though the site does provide many interesting photographic opportunities, ranging from its architecture to the people inside and including the surrounding downtown neighborhood.

I have photographed this building before. In fact, it is hard to not photograph it. It stands right “behind” the museum and is visible from almost every vantage point on the east side of the building. It is an older brick building but it gives every appearance of having been upgraded and well maintained. While the inside appears to be pretty modern, from what I can see through the windows, the outside retains an aged patina and still includes the remains of some very old exterior painted sign.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: France

Musée d’Orsay, Interior

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Musée d'Orsay, Interior
The main interior area of the Musée d’Orsay, Paris

Musée d’Orsay, Interior. Paris, France. August 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The main interior area of the Musée d’Orsay, Paris

Even though we had almost a week in Paris this past summer, there was simply too much to see — not that this was a surprise! We knew that there were certain things that we simply had to see, and we knew that we wanted to visit several museums, some small and some large. We visit a small photography museum one day, and we visited a portion of the Louvre on another, but there were other things to see and do as well.

All of this is to explain our unfortunately brief visit to Musée d’Orsay, which we only managed to get to near the end of our trip, and then on an afternoon when the place was only going to be open a few more hours. We went in and rushed to see at least a few things that we knew we did not want to miss, and I found time to make just a few photographs, including this one of the airy interior of the building just before it closed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Barred Window

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Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Exit, Yellow Doors, Blue Windows

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Exit, Yellow Doors, Blue Windows
Exit sign above doors to outside area illuminated by dusk light

Exit, Yellow Doors, Blue Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Exit sign above doors to outside area illuminated by dusk light

After meeting up with my fellow night photographers (associated with The Nocturnes, the long-standing San Francisco night photography community) to share photographs and pizza, we all got ready to head out into the night as darkness came on. After the social time I began to get myself into the rather different frame of mind necessary to photographing this subject. Before I even left the building I began to look around inside, and I decided to walk slowly into some corners of this facility that I had not looked at before. As I did I found myself in a bit of a dead-end spot where this door, lit by indoor artificial lighting, let to the developing twilight on the other side.

I associate a number of things with photographing at night. Of course, subjects often take on a very different appearance at night, and rather prosaic subjects can acquire a feeling of mystery. In practical terms, I’m absolutely fascinated by this world that is illuminated by lighting that is far more varied than what we typically see in daylight. Rather that more or less one kind of lighting, there could be many — the blues of twilight, the daylight-like color balance of moonlight, the wild colors of artificial light from tungsten, sodium vapor, fluorescent and other kinds of light. But beyond all of that, I associate the sense of profound stillness and quite with this kind of photography, where I frequently stand alone in dark and quiet places for many minutes as I wait for exposures to complete.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.