Tag Archives: between

Between the Columns

Between the Columns
A pedestrain emerges from between monumental columns along a San Francisco street.

Between the Columns. © Copyright 2019 G Dan Mitchell – all rights reserved.

A pedestrain emerges from between monumental columns along a San Francisco street.

This photograph comes from one of my (formerly) frequent long walks through urban San Francisco, which is only a one-hour train ride away from where I live. My practice has been to periodically head up there very early in the day, and then spend the morning walking through various parts of The City with my camera.

This was not one of the “postcards from Pandemic” photographs. In fact, I made it last year before anyone had an inkling of what was coming. (Remember those innocent times?) But it seems to me to have a different context given what has happened in the past few months.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Between The Curves

Between The Curves
Two large freeway overpasses cut through downtown San Francisco.

Between The Curves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two large freeway overpasses cut through downtown San Francisco.

San Francisco is not far from where I live — less than an hour’s drive in good traffic (and three times that in really bad!) or a one-hour express train ride. When I have a day free I like to head up there on the train early in the morning and then explore, photographing as I go. San Francisco is a very walkable city, and I have a great choice of routes when I get off the train — I can head south to the an area with tons of new development, walk along the waterfront, go west toward an older (still somewhat) industrial area, or go north and head straight into the center of the downtown district.

I took the latter path on this day back in 2019, cross-crossing on east-west routes from time to time. Frequently when I come into The City by car I travel along the freeway route that mostly flies overhead, leaving only longer views. From underneath the City looks a lot different! I chose this view partly because I like the concept of the dark forms cutting off the view, but also because I was intrigued by the curving shape of the opening between the two overpasses.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alley, Night

Alley, Night
Interior lights spill into an alley between two industrial buildings

Alley, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

Interior lights spill into an alley between two industrial buildings

As I photographed the night industrial landscape of Mare Island Naval Ship Yard once again this past week, I revisited familiar scenes and went looking for new ones. As I worked on into the evening I gradually worked my way across a chunk of the core of the place, eventually heading south from where I began my work. I had photographed the other side of the building to the right, which contained a large open interior space which had many windows to allow me to see in and to allow light to escape into the surrounding environment. When I came around this other side of the building and looked up the alley I was surprised by the complex pattern of light spilling into the alley between the two receding buildings. I had photographed here in the past when the building to the right was abandoned, and this alley had been a very dark place.

On this evening those of us who have photographed at Mare Island for a long time — some for several decades — were noticing and lamenting some of the changes that are coming to the place. It lay almost dormant for many years, but now many of the old buildings are being refitted for modern users. On one hand this changes the lonely and forlorn character of the island. On the other hand, it means that once the buildings are rehabilitated they will likely stand for a long time. But right now construction is going on everywhere, some interesting places now are off-limits, and fences have been erected around the construction work. That posed a problem for this photograph. In the past I could walk right up this alley, but now a portable cyclone fence cuts off access. I solved the problem by extending my tripod as high as it would go — well above my head! — and photographing over the top of the fence.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Man in Suit Between Two Cars

Man in Suit Between Two Cars
Man in Suit Between Two Cars

Man in Suit Between Two Cars. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man in a dark suit holding a bag and standing between two cars in front of old buildings in downtown San Francisco, California.

A quick street photo while walking into the fringes of the Tenderloin in San Francisco on the first weekend of March. I’m not sure how much sense this photograph may make to others, but there is a lot in it that appeals to me. For one thing I like the muted color scheme – most everything is some shade of black or near-gray or muted tan, with just a few spots of color. Even the man between the two cars is wearing only black and white clothing. Then there is the very busy but blocky pattern of the front of the buildings behind the man and the cars. However, to my eye at least, several types of order emerge from the complexity of these shapes. For example several elements create forms that rise diagonally from left to right: the two cars, the two balconies, the line through the left window, the dark doorway, and the lighter window in the center right section. And then there are the window reflections – which are becoming a bit of an urban photography theme for me. I also look at the man and wonder what he is doing – why is he wearing that particular set of clothes? What is in the small bag he holds? What is he looking for?

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

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