Zoltar waits for his mark on a San Francisco sidewalk
Zoltar, in all of his flamboyant glory, waits in a sidewalk booth to give fortunes to passers-by. Despite his ultra-colorful appearance, not a single person stopped to speak with him during my visit.
I did not realize that Zoltar is actually a “thing.” Yes, you can look up “Zoltar Speaks” on the Internet and read all about him. (He comes in standard, economy, and deluxe models.) I remain perplexed about what he may have to do with the cultural setting of San Francisco’s Chinatown district.
Night photograph of an industrial hoist at the Mare Island Naval Shipyard
Night photograph from the historic Mare Island Naval Ship Yard are something of a long-standing photographic theme for me. Over a decade ago I first went there to try out night photography at an event sponsored by The Nocturnes, and I was immediately hooked on the place and on night photography. Since that time I have returned to Mare Island several times every year, each time discovering something new to see and photograph.
This time I joined other photographers as part of a Nocturnes Alumni event that is part historical investigation, part social, and (a big) part night photography. On this evening I began by searching out some non-iconic subjects (some of which I’ll share later) in odd, out-of-the-way corners of the place. Eventually, though, I walked back toward the familiar central area near the huge dry docks, where I found that one of these huge ship yard hoists had been moved out of its typical position at the water’s edge behind security fences. This meant that I could photograph from right underneath it, shooting almost straight up, and positioning myself so that it would be illuminated by ship yard lighting.
A gigantic ship yard crane extends high into the night sky, Mare Island Naval Ship Yard, Vallejo, California
For many of us, these gigantic cranes, towering above the historic ship yard buildings and docks, are the iconic structures of the Mare Island Naval Ship Yard near Vallejo, California. The facility has been here since the 1800s, when it was the first naval ship yard on the west coast of the United States, and its history is quite remarkable. I won’t even begin to try to recount it here since a) it is so extensive and b) I’m far from an expert! In the 1990s it was decommissioned and since that time parts of the facility have fallen into ruin, others have been maintained in more or less their condition at that time, and some have been converted to other uses ranging from industrial to housing.
I have photographed here at night for about a decade. It used to be that these towering structures were mostly just parked in somewhat inaccessible locations behind fences along the waterfront. (The folks I photograph with here have a policy of not going into areas that are off-limits, and this had led to generally very good relations with the folks who oversee the place.) More recently the dry dock facility has been put back to use to dismantle very old ships from the “mothball fleet” that had been moored nearby, and now when I visit I often find the cranes have moved and may even be in more accessible locations. The first thing that struck me on this night’s visit was the effect of the security lights playing over the structure—and the fact that the lights are still the older and very colorful lights rather than the newer, more energy-efficient, and very boring LED lighting!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Giant ship yard crane against night sky at the Mare Island Naval Ship Yard, Vallejo, California
These towering cranes, remnants of the active period of ship building at Mare Island Naval Ship Yard, are an iconic feature of the place. Among the many photographs of the locations, especially those by night photographers, they are among the features most often captured. Several of them tower along the waterfront, and their height and their retro-industrial appearance command attention.
Although I have photographed at Mare Island a lot, I have very few photographs of these objects. On most of the occasions when I have photographed there they have been parked too far away (they move on tracks), too poorly lit, or have been obscured by fences and other objects. Recently the ship yard has seen renewed activity as it is being used to partially dismantle some of the old ships of the “mothball fleet” that has long been anchored in the delta near the Carquinez Bridge. On my most recent visit to photograph here at night I found that several of these structures had moved to more accessible areas and that they were better lit. This one was behind a fence, but since I wanted to emphasize its height towering against the backdrop of the night sky I was able to shoot up at a steep angle and keep the fence out of the frame. The perspective distortion, the cut off upper portion, and the sense that the structure is leaning amplify, for me, the mysterious and other-worldly quality of these slightly anthropomorphic structures.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
