Tag Archives: photographs

Important Yosemite Anniversary (Morning Musings 10/1/14)

G Dan and Richard Mitchell in Yosemite, date unknown
Richard Mitchell (left) and G Dan Mitchell (right) in Yosemite, date unknown

October 1, 2014 marks the 124 year anniversary of the creation of Yosemite National Park on this day in 1890. To quote from a park web page:

“In 1889, John Muir, America’s most famous and influential naturalist and conservationist, and Robert Underwood Johnson, editor of Century Magazine, had growing concerns about the devastating effects of sheep grazing in the high country. They launched a successful campaign to persuade Congress to set aside this area as a national park in 1890. On October 1, 1890, the U.S. Congress set aside more than 1,500 square miles of reserved forest lands, soon to be known as Yosemite National Park.”

(The first federal protections came earlier, on June 30, 1864 when President Abraham Lincoln signed a congressional act that established the “Yosemite Grant” in the Sierra Nevada — the first instance of the US government setting aside land specifically for preservation and public use, though not yet technically a “national park.”)

On the occasion of the 150th anniversary of the “Yosemite Grant” signing, I wrote a post about my own experience in the park, which includes a bit of my photographic history in the place, including a childhood photograph of me and my brother Richard Mitchell at a park trailhead many years ago, the earliest Yosemite photograph of mine, and a few later shots from the park. Enjoy!

Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment — and the subjects may not always concern photography.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Performance: Charles Cramer – Photographs and Music

 

"Bare Trees, Red Leaves" - Charles Cramer
“Bare Trees, Red Leaves” – Charles Cramer

Many of you are familiar with Charlie Cramer’s beautiful photographs, but this week you have the chance to hear him make beautiful music, too. San Francisco Bay Area residents can join me and quite a few other photographers and musicians for a performance this weekend.

Saturday, January 18
7:30 PM
St. Mark’s Episcopal Church
1957 Pruneridge Ave., Santa Clara

The concert features organists Charles Cramer, Mike Cala, and Darryl Parker… and Charlie will talk about his photography and host an exhibit of prints, and more. See you there!

“A camera trained on the organ console will give us a big-screen view of all the organists in action – and a close-up view of all the buttons they have to push! The program includes Cala performing an improvisation accompanying a short silent film and Cramer’s illustrated presentation, _’How I Became a Photographer and Met Ansel Adams.’_ He’ll talk about the many connections between music and photography. Adams started off as a pianist, and Cramer will present some rarely-heard recordings of Adams playing the piano. Also included will be some of Cramer’s photographs. (http://www.charlescramer.com/) You can see more of Cramer’s prints at the reception following the recital.”

(The photograph seen here is Charlie’s “Bare Trees, Red Leaves” – used by permission of the photographer)

2013 Favorite Photographs

“With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.” – Ansel Adams

I have compiled annual “favorites” collections for almost ten years. Each year I think this will just be an exercise in selecting photographs, and each year I rediscover that it is more than that – an opportunity to reflect on growth and new ways of looking at the world, a chance to think forward about what is yet to come, a time to recall a year of places and experiences and friendships.

It is a hard to distill a year’s work down to a few photographs, and I’m afraid that I can’t reduce the number to the extent that some can. This year I have – painfully! – gotten it down to 18 images, which is perhaps still too many. But it is 25% fewer than the 24 I shared last year! (Adams also said, “Twelve significant photographs in any one year is a good crop.” So feel free to regard up to a half dozen of these as being insignificant! ;-)

Many things affected my final selection. High on the list is how others – including many of you – responded to my photographs. I often say that the photographer is the person least able to objectively view and understand his/her own work, and I value the feedback and response that you share with me. On the other hand, I like to include some photographs that get less attention because I believe in them. I also include examples from my diverse range of subjects – people, wildlife, landscape, cityscape and street, night photography.

Speaking of a range of subjects, this was a year of interesting and diverse photographic adventures. Some were familiar – visits to Death Valley, the nearby Pacific Coast, the streets of San Francisco, familiar Sierra locations, and more. Others reflect more recent interests, such the migratory birds of California’s Great Central Valley. I spent more than a week camped in a remote Sierra Nevada location with photographer friends, becoming deeply familiar with the details of that particular landscape. I traveled to urban destinations: New York City, London, Germany, Austria. I continued work on my long-term project to photograph classical musicians.

But, enough introduction. In no particular order, though grouped according to subject, here are some of my favorite photographs of 2013. For those who want to know more, I have included links to the original posts of the images, where you may read more background – click the images themselves or the “original post” links.

(I am on social media: My blog | Facebook | Google Plus | Flickr | Twitter | Pinterest | LinkedIn. And, yes, prints are available – see the Sales link for more information or send me an email.)

Coastal California

I am very fortunate to live relatively close to a huge range of photographic subjects. One of the closest and most impressive is the Pacific Ocean coastline of California, and it is near enough that I can head over there for a morning or an evening when the conditions seem promising.

Beach and Bluffs, Evening

Beach and Bluffs, Evening. Pacific Coast, California. August 2, 2013.

Evening light and fog along the Pacific coast north of Santa Cruz, California. (Original post)

Living less than an hour from the Pacific coastline south of San Francisco, I have the good fortune of being able to shoot there often, and I have come to know some sections of this coastline very well. On this summer evening I was cruising up the coast looking for subjects when I passed this familiar location, one that I had passed many times without stopping due to the scarcity of places to pull over on this narrow highway. The hazy fog, the warm evening light, and the curving surf line got my attention and this time I stopped, put a long lens on the camera, and made this exposure while standing far too close to the passing traffic.

Continue reading 2013 Favorite Photographs

Twenty Minutes of Street Photography – Six Photographs

I was in San Francisco this morning for a demo/announcement of new Google Plus features and after the event I had a bit of extra time on my walk back to the Caltrain station – 20 minutes to be precise. So, just for fun, the results (most of them at least) of 20 minutes of street shooting in The City.

It might seem odd to some that a photographer who does so much landscape work would be interested in photographing the sometimes-gritty urban environment of San Francisco. There is a lot I could write about this, but I’ll limit myself to a few ideas here. First, to some extent I think of photographing the urban environment as an extension of landscape photograph – let’s call it “urban landscape.” Second, shooting handheld while on the move leads to a different way of seeing that is quicker and more “improvisational” (to use a term from my music background), and this is, if nothing else, a great exercise in seeing.

Woman with Phone, Tall Building
Woman with Phone, Tall Building

Woman with Phone, Tall Building. San Francisco, California. October 29, 2013, 11:01AM.

I had stopped to try to photograph a woman pushing a stroller with this wall as a backdrop. She walked out of the frame too quickly, but I managed to grab this one of the solitary woman against the same backdrop.

MUNI Bus Yard
MUNI Bus Yard

MUNI Bus Yard. San Francisco, California. October 29, 2013. 11:03AM.

A moment later and on the other side of the street, I walked past this MUNI yard full of buses ready to head out.

Woman and Dog, Brown Building
Woman and Dog, Brown Building

Woman and Dog, Brown Building. San Francisco, California. October 29, 2013. 11:04AM.

One minute later and back on the other side of the street once again, I saw this interesting structure and a woman with a dog fortuitously walked in front at just that moment. This photograph is about many things, but the colors are quite important.

Pedestrian, Sidewalk
Pedestrian, Sidewalk

Pedestrian, Sidewalk. San Francisco, California. October 29, 2013. 11:16AM.

Slacking now, it was 12 minutes between the previous photograph and this one… ;-) Here I was trying to figure out my best route and I think I wandered around a bit without shooting, but then I saw this low building which was covered with swatches of paint that had been applied to cover graffiti. Once again, I was lucky and a pedestrian walked into the frame just as I was ready to shoot it.

Autumn Leaf, Sidewalk
Autumn Leaf, Sidewalk

Autumn Leaf, Sidewalk. San Francisco, California. October 29, 2013. 11:19AM.

After making a wrong turn I ended up walking around a block and back up towards where I started. While walking I saw this leaf and photographed it quickly without looking through the viewfinder.

Garage and Fence
Garage and Fence

Garage and Fence. San Francisco, California. October 29, 2013. 11:21AM.

A moment later and on the other side of the street from the leaf, I saw this small lot and the light blue building with the roll-up door, and the bright sky beyond. Initially I wanted to include the more of the building to the left along with a street light near its corner. So I made a few exposures of that, pausing as traffic passed by, and then made this one that eliminated all of the left-side building except for the tall wall facing the lot.

At this point I realized I had a train to catch, and one stop to make on the way there…

© Copyright 2013 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.