Tag Archives: photography

Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Cafe de la Presse, Night

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Cafe de la Presse, Night
Night at the Cafe de la Presse, San Francisco

Cafe de la Presse, Night. San Francisco, California. July 25, 2015© Copyright 2015 G Dan Mitchell – all rights reserved.

Night at the Cafe de la Presse, San Francisco

In San Francisco for an evening of night street photography, we first wound our way up into Chinatown from the northwest at twilight, then slowly worked our way along various streets, looking for interesting light, architecture, and people. Because the streets are so narrow, filled with people, and lit brightly, this is a very interesting place to photograph. We continued on, ending up in the busy and touristy areas just south of Chinatown, where we split up and went separate ways.

It was almost time for me to leave, so I headed back the way I cam, on streets that were now becoming a bit less busy and crowded. I passed this little restaurant, with its corner entrance, and paused long enough to make a handful of exposures, photographing the wood-paneled interior and exterior walls and columns and the people who seemed to be settled in for a slow and quiet evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Repairing a Shop Window

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Repairing a Shop Window
At closing time, a man works to repair a shop window.

Repairing a Shop Window. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

At closing time, a man works to repair a shop window.

On a summer walk through sections of downtown San Francisco, beginning in the late afternoon and continuing after dark, I passed a street-corner shop that was just about to close. These shops, being in an area where such things are necessary, is blocked off at night by metal shutters. An employee was standing in a display window, repairing the shutters.

The man, focused on his work and seemingly unaware that he was now the featured “product” in this display window, was my initial subject. But I quickly saw other things in this scene. On the right side of the frame the wild explosion of colorful merchandise, lights, and reflections of the street behind me is almost impossible to figure out. On the left side there seems to be no reflection and the colors are more subdued, with the open shutters placing a horizontal grid over the dark figure of the store employee. Horizontals on the left; verticals on the right; complexity everywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

#932 Sale

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#932 Sale
A shop with nighttime visitors, San Francisco

#932 Sale. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A shop with nighttime visitors, San Francisco

This is another in my series of night street photographs. This photograph comes from an evening in more or less the Chinatown area of San Francisco. This work is a sort of counterpoint to my landscape and nature photography. Although the two seem quite different, I think that each type of photography makes me better at the other. This work happens very quickly, usually without a whole lot of time to contemplate — so it exercises the fast and intuitive part of my seeing.

The photographs tend to occur in two ways. In some cases I simply see something happening and I have to photograph it immediately without a lot of time for conscious thought — if I wait the opportunity will be gone. Another sort of work has a stronger connection to landscape, and I think of these photographs as being a sort of urban landscape. As was the case with this photograph, I find a particular subject or composition and then I watch for figures to occupy the space in interesting ways. The interest can come from their relative positions, their posture and the direction they look, how they fit into the available lighting, and the color of their attire. And, as I have pointed out previously, this nighttime handheld street photography is something that only became reasonably possible very recently, with the development of small cameras that will work at very high ISO settings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Commentary, Ethics, Ideas

Art, Photography, and “Manipulation”

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Creosote Bush, Dunes, Morning
A creosote bush among sand dunes, morning

Imagining that a photograph that is “straight out of camera” is better than one that has been “manipulated” in post is equivalent to imagining that the words coming straight out of one’s mouth are better than those resulting from careful and thoughtful editing.

While there is an art to extemporaneous expression, there is at least as much art in carefully crafted work. Continuing to refine and perfect the content and its expression is not remotely unethical. The objective is to produce a pure, clear, concise, more powerful and direct expression of the artist’s truth.

This is true of essentially every mode of human expression: painting, sculpture, movie-making, writing, music, and on and on. Even the seemingly extemporaneous expressions (jazz, etc) are the result of long preparation and practice and planning and are ultimately not simply things that happen in the moment.

It is nonsensical to imagine that photography should be the one art that eschews careful refinement and thought and the distillation and perfection of expression that can make it truer and more powerful.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.