Since this year’s New England visit for fall photography was our first, we decided to combine some sure-bet locations with enough time to go out and explore. Our sure bet was in New Hampshire’s White Mountains region, and it was as spectacular as the descriptions suggested. With the help of good luck and good advice, we managed to be there at exactly the peak of fall color. After our first day visit to an obvious, iconic location, we started to push out the boundaries a bit, turning up various roads that took us elsewhere, and discovering interesting things in the process.
We stopped at this lake during a long, looping drive that took us further north. The tall ridges of the White Mountains aren’t seen here — this is a region of rolling hills that is appealing in a different way. We stopped at this lake because it provided open views and the water came right up to the roadway. Once we got out and went to work we saw more ways to photograph it. In addition to the obvious nearby trees and the reflection of those trees and the sky, the distant hills are also blanketed by autumn colors.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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