Evening winter sky above California’s San Joaquin Valley
From that hour between late afternoon and the sometimes-fiery colors of sunset, a winter sky over the San Joaquin Valley of California, photographed on New Years Day 2014. Every so often I see a sky and what to photograph it, separated from the landscape below, and forming its own sort vaporous cloudscape.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Spring oak trees and meadows, Sierra Nevada foothills
In this drought year Tioga Pass, the trans-Sierra route through Yosemite National Park, opened earlier than usual. For me, the opening of this pass marks the end of the winter season and the beginning of the summer, with its easier access to the high country. Virtually every year I mark this event by visiting the Yosemite high country on the opening day or as close to it as possible. This year’s early May opening fell on a busy weekend, so I couldn’t be there on the actual opening day, but two days later I was able to squeeze in a one-day up-and-back trip from the San Francisco Bay Area.
I was up way before dawn and on the road before 4:00 AM. During the winter months such a start time would get me into the Sierra for dawn photography, but with the longer days at this time of year the sun rose when I was still in the foothills. While many might regard the foothill terrain as something to pass through on the way to the more interesting goal, I have come to love the soft, curving foothills, with their covering of grasses (green at this time of year, but brown to golden most of the time) and oak trees, either standing individually or as part of large oak forests. When I came to this spot, where I have stopped to photograph before, I found the meadows in that transitional state between the remaining greens of this year’s (meager) spring moisture and browns of California’s summer.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
First dawn light glows faintly through winter fog above a San Joaquin Valley wetland marsh
This was definitely shot during the morning blue hour, the pre-dawn light was here tinged with pink color from first sunlight striking high clouds far above the ground-hugging layer of thick fog. This is another photograph from my favorite Central Valley haunt, where I often go to photograph birds during the cool months of late-fall through very early spring.
The fog was thick but not deep, and as we drove to this area we were able to look up through it and see the predawn sky even though the murk was thick enough at ground level to force us to drive very slowly. Arriving at our destination, it was foggy and still, but as the first light of morning began to arrive, the pink color of high clouds illuminated the fog and created a glow of a somewhat unusual color. I had a few minutes along the edge of a pond to photograph in this fleeting light. The first photographs, like this one, were a combination of blue and faint pink/purple. A moment later the pink became even more intense, and then as the light increased the color faded and the fog became more transparent, allowing a view upwards through it to those higher clouds.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Barren winter trees and statue in Central Park, New York City
At the end of 2013 we spent a week in New York City, devoting our time to a combination of family visits and exploring the city and surroundings. We staying in Manhattan and did a lot of walking and subway riding there, but we also got up to the north as far as The Cloisters museum and also spent quite a bit of time in Brooklyn.
We managed to miss the worst of the tough winter weather in New York. We had some rain on one day, and there was the tiniest flurry of snow on another near the end of the trip. For Californians from the San Francisco Bay Area, it seemed cold, but not nearly like it would be starting a few days after we left, when cold conditions and very heavy snow arrived. All of this was great for us since we wanted to walk and photograph a lot. On one day we decided to wander around in Central Park. It was a beautiful winter day, with mostly blue skies and clear air. The park was crowded with plenty of other people who were taking advantage of the opportunity to get out. As we wandered around I carried my small rangefinder-style camera and mostly shot quickly and spontaneously, focusing on whatever happened to catch my attention—a group of trees, tall building surrounding the park, people, and so on. Here I tried to fill the frame with the stark, twisted forms of these barren winter trees against the clear sky… with a small surprise in the lower left corner.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
