Tag Archives: telephoto

Deals and Sales, Equipment

Final Weekend of Canon Fall Promotion on Lenses, Bodies, Speedlites

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Canon currently has an “instant savings” promotion on a number of lenses and speedlites through November 23, 2011. Here is a list of most of the qualifying products, with links to site sponsor B&H Photo. In many cases the “instant savings” price is considerably lower than the B&H “import” version of the product. When you purchase from B&H via these links you help support this blog. Thanks!

Lenses

Camera/Lens Kits
Speedlites

When you purchase from B&H via these links you help support this blog. Thanks!

(Double check the links to check for availability and read instant savings promotion details.)

Equipment, Technique

Yet Another Reason to Like Live View – Shooting in the Wind

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I have posted in the past about some of the advantages of having a live view feature on your camera, especially for the types of photography that I do using my Canon 5DII. This past week I discovered another use, and an unexpected one at that – shooting in conditions of gusty winds.

I most often work from the tripod, and I usually use a pretty large and stable tripod in the context of shooting a full frame DSLR camera. But in some very windy conditions putting the camera on a tripod is not sufficient to stop camera motion and the consequent blur. This is especially a problem when you are shooting in low light or otherwise need to use very long exposure times, and it becomes worse when using long lenses which will catch more wind and magnify vibrations. There are a bunch of tricks that you can try in order to keep the camera steady, but in really strong winds the camera is just going to move, especially if you have a very large lens attached.

One way I try to deal with this is to time my exposures for moments when the wind may momentarily decrease. This can require a lot of patience – sometimes I’ve had to wait several minutes for a very brief halt to the gale, during which I try to make my exposure. But even in this case, you have to make sure that the camera vibration stops completely if you are using a long lens. Ultimately, you have to simply trust that the camera really has stabilized since there is no way to tell directly. Last week, as I was using live view to focus a 400mm lens on a distant subject and again noting that 400mm plus 10x software zoom in live view makes the camera very sensitive to vibration. In the past I have noted this mainly in the context of how darn hard it is to manually focus a big lens this way! But this time it occurred to me that I could use this in my favor.

With the 10x live view magnification enabled, the display is very sensitive to camera motion from the wind. I realized that by leaving the camera in the 10x magnification setup after composing the shot that I could simply watch this display, with its magnification of motion, and wait until the image stabilized during lulls in the wind to take my shots. If the display isn’t bouncing at 10x, motion blur is not going to be an issue. Problem solved. More or less.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Commentary

Canon Lens ‘Instant Savings’ End Soon

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A number of Canon lenses are eligible for an”instant savings” price right now. But act soon since these prices are only in effect for about two more weeks until January 16. This list includes the rebate amounts and links to the lenses at B&H Photo/Video. Given the recent increases in Canon lens list prices, this may be a good opportunity to save some money on that lens you have been waiting to purchase.

(Note: Some of these links may go to pages that also include items not eligible for the “instant savings” and it is possible that the links may change – check the pages you arrive at via these links to verify that they include the savings before you make your purchase!)

Highlights from this list?

  • Obviously, all four of the excellent EF 70-200mm lenses are on many photographers’ “must have” lists – and all of them are included in this program.
  • The 24-70 f/2.8 is a “core lens” for many full-frame shooters.
  • Both of the ultra-wide (on full frame, or just “wide” on cropped sensor) L  lenses are on sale. The 17-40 is a wonderful lens for stopped down landscape and similar shooting on full frame bodies, and the 16-35 is a great choice on full frame if your main need is for shooting hand held in very low light.
  • The 85mm f/1.2 L is certainly a fine lens, and for the those who need it this is a good savings. (Frankly, the vast majority of 85mm prime users will be at least as well served by the much less expensive non-L f/1.8 edition.)
  • For cropped sensor camera shooters looking for (what I regard as) the “best” lens for high quality general use, the EFS 17-55mm f/2.8 IS may be ideal. For most cropped sensor camera shooters – even the most “serious” – I think it is a better choice that either the 17-40 or 16-35 L lenses.
  • The EFS 10-22 is pretty much the only Canon option for those who want ultra-wide angle coverage on cropped sensor bodies, and many people (especially landscape shooters) rely on this lens.

(If you find this information and other resources posted at this site to be useful, please consider purchasing through these B&H Photo/Video links within the post. You’ll get the same price and your purchase will help support the operation of this site. Thanks!)

Equipment, Technique

Using the Wrong Tool for the Job: Which Lens is ‘Best’?

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These are things that everyone knows about picking the right equipment for the subject, right?

Use wide angle lenses to shoot landscapes. When people ask what lens to get, I always ask them what they’ll be shooting. If they say landscape I generally recommend something wide rather than something long. Here’s an example of use of a very wide angle lens on a landscape shot:

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First Light, Banner Peak and Thousand Island Lake

Use long lenses to shoot sports. Everyone notices all of the Really Big Lenses at sporting events. I sure saw plenty of them at this week’s Amgen Tour of California bike race. Heck, I even used one myself to get shots like this one:

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Riding to the Starting Line, Prolog Time Trial, 2008 Tour of California

But wait a minute…

Sometimes the “common wisdom” can be exactly wrong, or at least it is possible to get interesting results by doing the opposite of the obvious thing. How about a landscape shot with a very long lens:

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Big Sur Fisherman, Winter Surf

And here is another bicycle racing shot, done with an ultra wide lens. (That’s Mario Cipollini banking into this turn, for the cycling fans out there.)

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The Peloton Enters San Jose – 2008 Amgen Tour of California

I’ll share one bit of technical information here. All four shots were made with two lenses. Both of the wide angle shots – landscape and cycling – were done with a 17-40mm zoom at the wide angle end. Both of the telephoto shots were done with a 100-400mm telephoto at the long end.

Just to tweak another assumption about “the right equipment,” both bicycle racing shots were done with a Canon 5D – and everyone knows that the 5D is only useful for landscapes and that you can’t shoot action subjects with it. ;-)