If you are a Canon-using photographer you are almost certainly aware that Canon has released two new DSLR cameras in the 5D series, the 5DS and the 5DS R models. Both provide approximately 50 megapixels (MP) of sensor resolution along with some other improvements. The cameras seem to be an excellent next evolutionary step for Canon photographers who can use the additional resolution.
I have the 5DS R model and I’ve had the chance to photograph with it twice as of this date. I have been asked to share my thoughts on the camera, but it is still a bit too early for me to write a full report — I want to make more photographs with it and I want to make some very large prints from the files first. Meanwhile I can share a few things: Continue reading Canon EOS 5DsR Quick Update→
(Updated) Canon has announced the long-rumored replacement to the venerable 100-400mm L lens. It is the EF 100-400mm f/4.5-5.6L IS II.
The lens it replaces has been a very valuable “go to” lens for many photographers who wanted more reach, a reasonably small package, good optical quality, and the flexibility of a zoom. I’ve been an enthusiastic user of the older version for some time now.
Recently Canon has updated or augmented their lens line-up to improve the offerings in certain categories. For example, earlier this year they introduced their ultra wide angle zooms by adding a new EF 16-35mm f/4L ISlens. That lens has been a real success, not only adding image stabilization to lenses in this class for the first time, but also providing excellent resolution across the frame — more so than either of the lenses that many photographers used before it was introduced.
For some time, many have felt that there was a lot of potential for updating the 100-400. Although it is good performer in many ways, there has been room for improvement. More modern IS systems can provide up to 4 stops of stabilization, while the older lens only provides perhaps two. The older lens has good image quality, but it could be better in keeping with more recent lenses from Canon. In fact, rumors about the introduction of the updated 100-400mm zoom have been floating around for years.
We don’t know what the optical performance of the new lens will be yet. As I write this I have seen no real reviews. (I have seen some “reviews” that are mostly lists of specifications and speculation.) When we do see them, it will not surprise me at all if this lens provides valuable improvements in the same way that the 16-35mm f/4 has. Here is some of what we do know from Canon specifications:
Rather than the “push-pull” design of the earlier lens, this one has a more familiar rotation ring to change the focal length.
As was the case with the older model, the front of the lens extends as you zoom. This means that the lens is more compact when packed.
Image stabilization has been updated to provide up to four stops of stabilization — especially important with longer focal length lenses.
Other features include 9 blade diaphragm, the familiar 77mm filter thread diameter, and more.
The list price of the lens is $2,199. That may seem like a lot of money, but if it provides the sort of image quality we all expect it is actually a rather good deal for a lens with these capabilities.
Update: I have now had a chance to look at the MTF charts for the new lens (available at the Canon web site) and they suggest that the new zoom should be a very good performer in terms of image quality. The chart suggests better image quality than the existing 100-400 (which is quite decent) and the 400mm f/5.6 prime.
I expect that this lens will be in short supply at first — for the usual reasons related to any new product introduction, but also because of a pent-up interest in the update. The lens has been announced but is not yet available — though you may preorder it if you want to be first to get one.
As for me, there is a very good chance that I will get a copy of this lens before too long. In fact, I’m leaning more and more towards placing a pre-order — something that I rarely do.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
My web presence has long included this blog and a separate online gallery housing a large archive of photographs — perhaps about 3000 of them at last count. Earlier this week the gallery had a technical issue that snowballed and eventually took that gallery completely offline.
During the past few days I have spent way to many hours trying to get the gallery working again, and I have (mostly) succeeded at this point. A new version of the gallery now holds essentially all of the photographs that were at the old gallery. The format is a bit different, though the underlying organization of the images is similar. At this point, the titles ofphotographs do not display correctly, and you’ll see file names where there used to be titles. This is fixable, but not right away.
If you tried to find the old gallery and couldn’t, thanks for your patience. If you haven’t seen the gallery, feel free to wander over there and take look!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I have updated my blog post: “Canon EF 17-40mm f/4 L Lens.” It might seem a bit strange to update an article on that subject on the heels of Canon’s introduction of a new lens that may be more interesting for many photographers, but read on…
I have ordered a copy of the new 16-35mm f/4 lens and I’ll report on that once I have had a chance to use it a bit. But given the altered terrain for those considering the purchase of a Canon ultra wide zoom, I thought that updating the review of the 17-40 was important. This lens is still a viable option for lots of photographers, especially those who are price-sensitive or who want smallest and lightest possible Canon ultra wide zoom for full frame cameras.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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