Tag Archives: windows

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Building 259

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Building 259
Building 239, Mare Island Naval Ship Yard

Building 259. © Copyright 2018 G Dan Mitchell – all rights reserved.

Building 239, Mare Island Naval Ship Yard

In mid-March I returned to the old Mare Island Naval Ship Yard to do night photography with some of my nocturnal friends, a group of photographers with connections through Bay Area night photography guru Tim Baskerville who has been photographing, teaching, and generally promoting night photography for decades. We assembled well before dark, and as I arrived I kept my eyes out for structures on the old ship yard that might be interesting to photograph after sunset. About a half hour before the sun went down we began to head out to start out night’s work.

I planned to photograph around the “historic core” of the facility, but I decided first to drive back along my arrival route to where I had seen these buildings and few others that caught my attention. I started with a building that I have photographed in the past, and the sun set as I worked that scene. The soft, blue early twilight changed the appearance of the buildings, giving the foreground building 259 a blue cast and altering the color of the further building. I’m intrigued by these “round” buildings (what I grew up calling Quonset huts), and here I wanted to contrast its shape and color with the squared and pinkish background building.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night

Windows, Brick Building, Night

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Windows, Brick Building, Night
“Windows, Brick Building, Night” — Light from the interior of an industrial building spills through windows and into an alley

This building was a surprise to me. As I recall from past visits, I’m pretty sure that it had been more or less abandoned at one point, and I typically found it completely dark when I photographed there at night. I specifically recall photographing around it and having to content with a very dark environment, the sort where exposures of many minutes were necessary. But on this visit I found it, instead, to be a source of light. The interior was clear and well-lit, and large expanses of windows allowed the light to spread from the building onto the surroundings.

On a slightly technical level a few things seemed notable about photographing this structure. First, it is an example of how well current photographic technology can handle some very challenging light situations. The subjects in this photograph ranged from a bare lightbulb inside the building (visible as the brightest area in the central window) to virtually black shadows on the close side of the building wall. Yet a single exposure was sufficient to capture enough image data to protect the highlights and retain some detail in even the darkest areas. The second observation has to do with the inevitable changes that time brings to places like this. I have photographed here for about fifteen years, and on this visit I saw many changes. I lamented many of them, especially the places now off limits, knocked down, or modified almost beyond recognition. But at the same time, the re-opening of some of the old structures has made them more photographically interesting — as in the case of this building where there is now sufficient light for photography.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: New York City, Photographs: People, Photographs: Urban/Street

Layers, Contre-Jour

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Layers, Contre-Jour
People sitting in Metropolitan Museum windows, plus worlds on both sides

Layers, Contre-Jour. © Copyright 2017 G Dan Mitchell – all rights reserved.

People sitting in Metropolitan Museum windows, plus worlds on both sides

This is yet another take on the scene in this room at the New York Metropolitan Museum, on a cold day when hordes of people went to a warm museum instead of wandering outside. The window faces south, into the midday and afternoon sun, and the window sills provided an inviting and warm place for people to sit. I spend a bit of time here and observed as people passed by, came in and sat down, and moved on.

There may be more going on here than is immediately apparent. The first impression is of a half-dozen people sitting in or near the windows, with outdoor backlight providing the illumination. (Hence the “contre-jour” indication in the title of the photograph.) But there are several other layers. In the far distance Manhattan buildings near the south end of Central Park, whose trees are providing silhouetted shapes below the skyline. There are also reflections from the interior of this room in the windows — keep in mind that elements near my camera position were front-lit by the windows. There is actually quite a crowd reflected in the windows, and if you look closely you can even spot the photographer.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Museum Windows, Shadows

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Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.