Tag Archives: yellow

Morning, Beneath Desert Mountains

Morning, Beneath Desert Mountains
Morning light comes to badland terrains beneath tall desert mountains.

Morning, Beneath Desert Mountains. © Copyright 2022.G Dan Mitchell.

Morning light comes to badlands terrain beneath tall desert mountains.

On the final morning of my late-January visit to Death Valley National Park I decided to visit a location that I rarely photograph. I suppose there were two reasons for my choice. It wasn’t that far from where I was camped, and I wanted to get back to camp by mid-morning to take things down in preparation for my departure. In addition, it is a location that, frankly, hasn’t attracted me all that much for photography. I had been there before several times and came away with little to show for it. (Despite this, one client did purchase a number of prints from this location some years ago.)

An offhand comment by a friend had suggested a different way to look that the place, and as I looked at it from a distance earlier in the week I saw some things that caught my attention. So I headed out there before dawn on this final morning and followed a trail out to the edge of some interesting badlands country. As I worked that subject the light was working its way down the face of the bare desert mountains to the northwest, so I turned my camera that direction as the play of light and shadow evolved.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Wetland Trees

Winter Wetland Trees
A copse of winter wetland trees along the Pacific Flyway, New Year’s Day 2022.

Winter Wetland Trees. © Copyright 2022 G Dan Mitchell – all rights reserved.

A copse of winter wetland trees along the Pacific Flyway, New Year’s Day 2022.

This photograph is another one from our New Year’s Day adventure with friends under the skies of the Pacific Skyway. We joined up for New Year’s Eve and then New Year’s Day morning to celebrate the arrival of the new year along with a few tens of thousands of our bird friends, something that has become a tradition among this group of friends and (mostly) photographers.

I think that most of us would agree that it is the combination of birds and fog that primarily attracts us to these places in the winter. The attraction of fog might seem strange to those who live in it and have to drive in it and sometimes tolerate weeks of damp and gray. But its presence lends mystery to this landscape and creates an unending variety of conditions of mystery and light. On the morning I made this photograph, the skies were mostly clear, though a combination of high clouds and very thin fog near the ground softened the light on this group of trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetland Reflections, Dawn

 Wetland Reflections, Dawn
” Wetland Reflections, Dawn” — Dawn clouds and wetland pond reflection, Pacific Flyway, New Year’s Day 2022.

The dawn light is remarkably fleeting. The space between “too early” and “too late” can be extremely small, and on a morning like this one I might have only moments to see what is happening in the sky, find a foreground, create a composition, and make some photographs. When the light arrived and a small group of clouds appeared in the distance, I first worked handheld with a long lens in order to narrow the view and get some flexibility about positioning the tree. Then I grabbed another camera that had a wider angle lens attached, and I made a few photographs that included more sky and water than seen here.

I have photographed in some remarkable landscape, where particular objects demanded attention. But this landscape along the Pacific Flyway is not that sort of place. To be honest, often it can seem plain and even boring. Much of the area is agricultural country, and nearby there are large cattle operations — not the most scenic or pleasant of landscape subjects. But for a few months each winter the fields flood and migratory birds return, and when the conditions are just right magic may happen.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Fallen Aspens, Canyon Light

Fallen Aspens, Canyon Light
An autumn aspen grove in late afternoon light, with some trees that have fallen over.

Fallen Aspens, Canyon Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn aspen grove in late afternoon light, with some trees that have fallen over.

As I posted this photograph it occurred to me that “leaning aspens” or “falling aspens” might better describe what is going on here — but I’m sticking with the original title. This is a somewhat different view of a subject that I shared previously, photographed on an autumn day when the sun was just about to drop behind high ridges to the west and the hazy air glowed in the backlight. The primarily photograph I came away with included a larger portion of the scene, but I also grew to like this one that narrows its focus to a group of small-trunk trees. The trees at right on on the edge of a pond, and I suspect that they are leaning as a result of growing in wet, unstable soil.

This will almost certainly be my final aspen photograph of 2021, so I’ll add a few general comments about photographing this subject in the Eastern Sierra Nevada. One feature of the Sierra aspens is that they grow in wildly different niches. Some trees find large, flat areas with good soil, ample water, and protection from the elements, and they may grow into tall, straight, massive trees. Many others seem to struggle in rocky soil, drier locations, high elevations, limited light, exposure to wind, and these trees — the majority of Sierra aspens, in my experience — often show the effects. They can be twisted, stunted, knocked over by avalanches, and more. Superficially you might think that this reflects poorly on “our aspens.” But the reality is that we can find a great variety of aspen forms — more, I think, than in some areas known for these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.