Photos are temporarily being shared without additional commentary. Watch for commentary to resume in late summer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Springtime bluedicks flower in the Central California oak-grasslands.
This is a surprisingly common wildflower in my part of California, and in the springtime I frequently run into them all around the Bay Area on hikes, typically in warmer and sunnier areas. The flowers are striking — the cluster sits on the end of a long, slender step, and the colors can stand out against the other foliage. Technically, I suppose that I should tie “flowers” rather than “flower” here, since it is a cluster of smaller individual flowers. The unusual name apparently comes from a shorthand for the Latin name of the plant, though I have recently been told that the plant has been reclassified and that it should now be “blue dips.”
Although I like to travel to do my outdoor photography, I also spend a lot of time in the field not far from where I live in the San Francisco Bay Area, often hiking some of the nearby trails. (In fact, I’ve been doing more of that recently as I try to work myself into condition for an upcoming backcountry trip by hiking hilly routes. It gets harder every year!) Although I had hiked the trails where I photographed this specimen, I had not really paid enough attention to the wildflowers there until recently… when I discovered several large populations of this flower.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
An insect on the top of a white globe lily flower.
Folks who follow my photography may have noted a rather large number of photographs of very small things recently, mostly a lot of wildflowers. This isn’t an entirely new thing for me, as I have photographed and occasionally shared wildflower photographs before. What has changed? Two things. First, I’m married to “the Georgia O’Keeffe of photographer photography, and she has a macro lens almost permanently attached to her cameras so that she can photograph this subject. Second, I finally decided to spring for my own macro lens, and I’ve been out trying to learn more about its use.
When viewed through the macro lens, photographs of flowers often end up being photographs of other things, too — bits of pollen, spider webs, dusk and dirt, brown areas, holes… and in this case, one black bug of significant size. I misidentified this flower for years, and I was grateful to a viewer who recently set me straight. It is a white globe lily. (If you want to understand just one of the reasons that I’m often challenged by naming such things, it is apparently also known as “fairy lantern, white fairy lantern, pink fairy lantern, lantern of the fairies, globe lily, white globe-tulip, alabaster tulip, Indian bells, satin bells, snowy lily-bell, and snow drops!”)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
One white globe lily flower and several buds about to bloom.
Since a recent post regarding this same type of wildflower went into some detail about it, I’ll try to keep this post a bit shorter. (Note: I wrote “try,” not “promise.” ;-) This is a white globe lily flower, one of my favorites from a local spot that I’ve been visiting for decades, especially in spring, and to which I’ve returned again this spring.
The importance of these “local spots” cannot be over-emphasized. I’ve seen a lot of photographers get trapped by the “I only photograph amazing places” mantra. Some of them, whose naturally busy lives limit the frequency with which they can drop everything and head off to an exotic locale, become frustrated with their photography. I understand — it is important to “do photography” almost continuously in order to produce and maintain the instincts of seeing that are so important. But seeing can happen locally, too. In fact, practicing (a term I know from a life in music) as often as possible, even with subjects that might not be your first choice, is crucially important… and it can be done as close as your own back yard or in your neighborhood.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
