Images

Photographs: Nature, Photographs: Ocean & Coast

Fog, Little Sur River

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Fog, Little Sur River
Fog near the delta of the Little Sur River

Fog, Little Sur River. © Copyright 2019 G Dan Mitchell – all rights reserved.

Fog near the delta of the Little Sur River.

Since I first traveled to the Big Sur coastline as a child, I have returned many times for decades. The upper end of this area is barely an hour’s drive from my home, so I can be there and back in less than a day if the conditions look promising. Ironically, they actually did not initially look that way on this morning — the weather forecast was for perfectly (and boringly!) clear weather and more warmth than I’d like. But barely a half hour into my drive I began to encounter fog, and it continued for the rest of the day. Some places were entirely socked in. Others, like this spot, were in that wonderful condition where there would be fog one moment and sunshine the next.

I know this particular spot quite well. It is a remarkable location, where a long beach is broken by the delta of the Little Sur river as it empties into the Pacific. This is a place of constant change, driven by winds, precipitation, and seasonal water flows. When I visited earlier this year the river had cut a different channel that would have taken it from right to left along the bottom of this scene, reaching the ocean out of camera range far to the left. But since then it has returned to its more typical channel, which makes a bit s-turn towards and around the short headland, creating a beautiful pool.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Waterfall And Late-Season Lupine

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Waterfall And Late-Season Lupine
Late-season lupines bloom in rocky terrain below a high country Sierra Nevada waterfall.

Waterfall And Late-Season Lupine. © Copyright 2019 G Dan Mitchell – all rights reserved.

Late-season lupines bloom in rocky terrain below a high country Sierra Nevada waterfall.

Our visit to this location, at 11,000′ in the Eastern Sierra Nevada, took place during the last few days of August and the first two days of September. Yes, we were there on Labor Day — and we watched lots more people show up on that last weekend! Most people regard this as the end of the backcountry season. The daylight hours decrease noticeably, and while the weather remains generally beautiful there may be a chill in the air a bit more frequently.

In a typical year the Sierra Nevada high country often becomes rather dry by this time. During August the meadows usually turn golden brown, stream flows diminish, and most wildflowers are just a memory. But in wet years – and this was one of those — there can be a colorful surprise for late-season visitors. We arrived to find lots of flowing water, meadows that still were green in many places, and even copious wildflowers. Here we found huge beds of blooming lupines, an unusual site for the start of September!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

First Light, Sierra High Country

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First Light, Sierra High Country
First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

First Light, Sierra High Country. © Copyright 2019 G Dan Mitchell – all rights reserved.

First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

The photography, of course, is the main excuse for our trips to places like these. We go to some lengths to put ourselves in locations like this for days or longer — lots of advanced planning, solid backcountry travel to get there, and then a week or more of living in tents. But the advantages are many. Obviously the “scenery” is often right outside our tent doors, and when great light happens we are essentially right there. Because we are there for a significant period for time we can more carefully and completely explore our surroundings, finding hidden gems, figuring out best times for various subjects, and returning to them as necessary. We also have the time to slow into the natural backcountry rhythms, where it seems that we have much more time to do all of the important things — photography, of course, but also sitting a looking or having a look discussion with colleagues/friends.

This view was literally steps from my tend, set on what seemed almost like a large peninsula nestled within the curve of the lake. After our first sunrise here it became apparent that the intensely colorful first light would be a fleeting subject. Due to the surrounding geography, this first color would initially spread across the summit of this ridge… but then quickly lose its color. This was a quiet morning, with little wind, so I decided it was time to stake out a camera location and photograph the first light reflected in the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

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Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.