Our group camped in the forest on a moraine above this lake for over a week as we fanned out to photograph many subjects in the spectacular surrounding area — big meadows, lakes and ponds, timberline country, mountains. Each day we departed from the area of this lake, each midday was spent in camp, and we almost always walked through or past it again in the evenings. Despite this, I did not really photograph it much until the last few days of the trip, when I realized that it was becoming a now or never matter. (This often happens near the end of a lengthy backcountry photography trip — you start out feeling you have al the time in the world, and then at some point you become acutely aware of how little time remains.
I decided to focus more on this nearby lake during our final two day, and I watched the light and visited it morning and evening. As I did I began to figure out the patterns of light and shadow along the shoreline, and by the time I made this photograph I had determined that the sun left the meadow earlier than I expected. So on this day I picked my times a bit more carefully, and I arrived at a point when the sun was still on the peaks, when the water reflected them, and when (at least sometimes) a bit of light hit the nearby low ridges. For this photograph I also had beautiful clouds to work with as a weather system began to break up.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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