Aspen Trunks, Fallen Leaves

Aspen Trunks, Fallen Leaves
Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

Aspen Trunks, Fallen Leaves. © Copyright 2022 G Dan Mitchell.

Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

This stand of aspens was at the edge of a larger and wildly colorful grove that descended to a nearby creek and then a good distance up the slopes on the far side of the canyon. Those other trees are the main attraction here, but as I looked down toward these trees it seemed like they provided an opportunity to enter the grove and photograph close to the trunks. Here many of the leaves had already fallen, which might usually let some much light into the grove that it would be hard to photograph. But evening shadows had reached this point, muting highlights and opening up the shadows.

Photographing this subject presents some challenges. For one, I often start in such places thinking it should be easy to find a composition among such beautiful tree trunks — but then most of the potential compositions seem to include some sort of obstruction. Also, in order to get a lot of the trunks in the frame I must work very close the trees using a very wide angle lens, so small changes of camera position seem to have big effects! Finally there is the matter of the color of the light. If you were there in this grove you would notice white trunks and warm-colored yellow leaves. However, objectively speaking, the light in this shadowed area is quite blue, being illuminated by the sky itself. So I have a decision to make. Is it better to go with that blue, which looks quite a bit different from what I saw at the time? Or should I alter the coloration to reflect my memory. I’ve done both, but in this photograph I went with the latter option.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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