Having just returned from our second long visit to Scotland and the highlands, I’m still trying to form a clear sense of just what defines the character of this landscape. Admittedly, this is a subjective thing, affected by our unique experiences there and by the prior experiences to which we compare that. My touchstone for “mountains” is California’s Sierra Nevada, a generally congenial range with sunshine and access to very high places. By Sierra standards, Scotland’s high places are “low” — but equally spectacular. Scotland definitely does not seem like a “place of sunshine” — instead it is wet, cloudy, and when sunshine comes it is often muted.

This scene seems to me to capture that feeling. There are spectacular peaks in the distance and a loch in the foreground. But there is very little sunshine — perhaps a bit of blue visible in a corner of the photograph. The view is gently softened by clouds and the hazy, moist air. The scene is not full of that Sierra light, but instead projects a kind of dark, embracing Scottish quiet.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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