I will have more to say about this video and its context in a later post (though see below for a bit more information), but I wanted to share this Scot Miller video about the band of photographers known informally as “The First Light Group” and my role in the group.
There’s a lot more to say about the First Light project, but for now here is a little background. In the early 2000s the group assembled, with support from the Yosemite Conservancy, and headed into the Sierra Nevada backcountry with a special mission: to place landscape photographers in the wilderness for extended periods of time to create photographs that embody the character of these remote places. Over a period of nearly two decades we photographed all over the range.
You can subscribe to Scot Miller’s YouTube channel, where you’ll find more First Light videos and plenty of other material from him.
Well, I’m getting closer to a determining the finalists for inclusion in my list of favorite 2025 photographs. I’m now down to two dozen, though I’d like to cut the number in half if possible… or at least get it down to 15 or 16.
2025 Favorite Photographs — Third Cut
As the number of remaining photographs gets smaller, the decisions become harder! I like all of these, and it is hard to take any of them out of the list — but that’s what I’m going to have to do!
I’d love to hear your thoughts on this almost-final set.
Today I made what should be my final regular daily post on Facebook.
This is not an April Fool’s Day joke. It is a matter or principle
I have been active on Facebook for a VERY long time. I’m no longer sure of the first date, but I initially was able to join way back when only those with .edu email addresses were eligible.
The initial promise of the service was quite special and seemed altruistic. We could join and then find and follow accounts that interested us — Facebook was the medium for choosing who to connect with and enabling those connections.
Morning light on a gigantic alluvial fan at the base of desert mountains, Death Valley National Park.
This morning I am waking up in a place that is almost literally on the other side of the world from my “home country” of California. As I look out the window from a home in Kosovo toward high mountains at the start the day I am thinking about the storm impacting my state today, and the deserts regions such as Death Valley are especially on my mind as I read reports of tropical storm Hilary.
Our natural impression of places like Death Valley National Park (the part of California’s desert terrain that I know best) is of dryness, heat, aridity… of places where little grows and where challenges human visitors. It isn’t quite that simple, but there is truth to this. Our biggest concerns in such places are often the heat and the scarcity of water.
But I have long been impressed by the fact that there are few locations where the impact of water is more clearly visible than in the desert, especially in the rugged terrain of places like Death Valley. The valley was once a lake. Remnant water from that lake still appears and flows there. The tremendous mountains on either side of the valley were eroded and formed by water, and monumental alluvial fans flow out of side canyons everywhere. Deep watercourses cut through rock, and a close look at stones reveals that they were moved by water.
Even when we recognize the landscape-forming power of water, we still think of the landscape as now being static — formed by forces that worked in the past but now have left a stable geography. A few rocks fall, occasionally a wash overflows and takes out a small section of a road, a playa may fill temporarily with water… but soon everything is back to “normal” as it was.
But this morning it sounds like we may experience much more profound changes as Hilary sweeps though, the sort that occur at intervals measured centuries. Those of us who love this landscape may find our access cut off and that much changes after this storm. I’m both excited by and fearful of these effects — but in any case this is a powerful reminder of the scale of the forces at work in these places we love.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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