Category Archives: Ideas

Death Valley on My Mind

Wash and Alluvial Fan
Morning light on a giant alluvial fan at the base of a desert mountain wash.

Wash and Alluvial Fan. © Copyright 2023 G Dan Mitchell.

Morning light on a gigantic alluvial fan at the base of desert mountains, Death Valley National Park.

This morning I am waking up in a place that is almost literally on the other side of the world from my “home country” of California. As I look out the window from a home in Kosovo toward high mountains at the start the day I am thinking about the storm impacting my state today, and the deserts regions such as Death Valley are especially on my mind as I read reports of tropical storm Hilary.

Our natural impression of places like Death Valley National Park (the part of California’s desert terrain that I know best) is of dryness, heat, aridity… of places where little grows and where challenges human visitors. It isn’t quite that simple, but there is truth to this. Our biggest concerns in such places are often the heat and the scarcity of water.

But I have long been impressed by the fact that there are few locations where the impact of water is more clearly visible than in the desert, especially in the rugged terrain of places like Death Valley. The valley was once a lake. Remnant water from that lake still appears and flows there. The tremendous mountains on either side of the valley were eroded and formed by water, and monumental alluvial fans flow out of side canyons everywhere. Deep watercourses cut through rock, and a close look at stones reveals that they were moved by water.

Even when we recognize the landscape-forming power of water, we still think of the landscape as now being static — formed by forces that worked in the past but now have left a stable geography. A few rocks fall, occasionally a wash overflows and takes out a small section of a road, a playa may fill temporarily with water… but soon everything is back to “normal” as it was.

But this morning it sounds like we may experience much more profound changes as Hilary sweeps though, the sort that occur at intervals measured centuries. Those of us who love this landscape may find our access cut off and that much changes after this storm. I’m both excited by and fearful of these effects — but in any case this is a powerful reminder of the scale of the forces at work in these places we love.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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How It Began, Plus a Book Recommendation

After recommendations from friends, this week I finally began to read ” The High Sierra: A Love Story,” by Kim Stanley Robinson. I’m only a few chapters in as I write this, but already the book stirs up a lot of memories and thoughts about decades in the Sierra. Both of the trips he describes in the first few chapters take me right back to important places I’ve been. In fact, his transforming first trip literally took him to where I went on my similar trip a few years earlier.

The liner notes state that Robinson was “transformed” after he “first ventured into the Sierra Nevada mountains (sic) during the summer of 1973.” That got me thinking about my introduction to these mountains — and also about other people who know this range deeply and in different ways after decades of experience in the range.

My first backpack trip was, of course, in the Sierra, way back in the summer of 1968. I was 16 and — to my retrospective amazement — our parents dropped me and two of my buddies of the same age off at a trailhead. We hiked over Rockbound Pass into what is now part of the Desolation Wilderness for a trip that was, to the best of my memory, five days long. I had dreamed of such a trip for what seemed to my young mind like forever, and I still recall the magical first view of someone’s backpacking campsite at a lake just beyond the pass. (We managed to get semi-lost on the last day, but that’s a story for another time.)

But wait, that was not my first visit to the Sierra. My father, a transplanted New Yorker by way of the Midwest, aspired to backpack in the Sierra, though I don’t think he was ever quite up to it. I recall that he picked up bits and pieces of gear for the trail, and I now think he was responding to the same fascinations that I developed in my youth, though he never quite managed to get “out there” in the backcountry. 

A few years before that crossing of Rockbound Pass with my buddies, he tried to take me and one of my brothers on a pack trip. My memory is now incomplete, but I think that we rented a “mountain tent,” backpacks and sleeping bags, and who knows what else. We got as far as the Tuolumne Meadows campground, but then — if I’m not merging multiple memories — we had “weather” and retreated to the wood-stove-equipped tents at the Tuolumne Meadows Lodge. Truthfully, that was pretty magical, too.

But that wasn’t my first Sierra experience either. Though we weren’t really a camping family — I think my mother actually hated it, but went along — we car-camped at places ranging from Lassen NP to Sequoia NP. 

But the first real Sierra trip I (vaguely) remember was to Yosemite Valley. I’d love to share a stirring tale of seeing the Valley for the first time, but if it happened I don’t remember. I do remember being awed by the raging Merced River behind our (now gone) motel in El Portal, and I recall the rituals of the Yosemite Firefall, the feeling of looking into the great valley from Glacier Point (the old lodge still stood!), and a fearful moment of being chased back into the family van by a black bear.

But the first memory of the Sierra? This comes from our family’s first experience in the state, and may actually have been a stop on the drive from Minnesota to California when my parents moved here in 1956. We stopped at Lake Tahoe, and I distinctly recall a view the lake from an area along its shoreline. Later I saw an area — perhaps it was El Dorado Beach? — that sure seems to fit my memory, though the memories of four-year-olds are not to be fully trusted. Today it is not a magical place, but in my memory it surely was.

On a trip into the backcountry with friends this past summer, we passed — OK, we were passed by! — groups of young backpackers. I recognized the younger me in them, and I thought about people like the current me that I had encountered on the trail when I was their age. (I guess that makes me an old man of the mountains now!) I thought about the experience being young and encountering the Sierra as a new place, a blank slate for making unimaginable memories, with no idea of where this might lead. And I thought about what it means to be at the far end of that adventure, now full of accumulated experiences, memories, and stories. And I wondered if I could possibly explain to them the potential of the journey that they might be starting and how deeply it might affect them. (I resisted the temptation to actually stop them on the trail and try to explain, you’ll be happy to hear, as will my own kids! ;-) )

So, these mountains have been part of my life for a long time. And I’m not the only one. If you look around, there’s a good chance that someone you encounter was also “transformed” by a long experience with this remarkable Range of Light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Improving Your Odds: That’s Why They Call It “Exceptional”

This is the first of what will be a series of articles looking at steps you can take to improve your chances of producing compelling photographs.


A recent stay in Yosemite Valley during my Yosemite Renaissance artist-in-residency reminded me again that while many aspects of photography are out of our control, there are things we can do to increase the odds of success.

On this visit I had three late April spring days to photograph in the park, which mostly means “in Yosemite Valley” at this time of year when the high country is still snowed in. By non-photography standards, the Valley was beautiful — if a bit crowded.  The sun was out, the sky was blue, temperatures were comfortable, rivers were full of early snowmelt, the waterfalls were flowing, there were hints of green in the seasonal vegetation, and too many tourists were already showing up!

I did the usual things: I got up before dawn to find the early light. I stuck around until the last light faded. I returned to subjects that I knew from past experiences to be promising. I considered where the light would be at different times of day. I went looking for new subjects in likely places. I wandered. I kept my equipment with me at all times.  I made photographs, and some of them are even pretty good, but at times it was hard to “see” something special in these conditions.

What’s not to like, right? From a photographer’s point of view these are not ideal conditions for photography. As pleasant as nice weather is for hiking and camping and picnicking, it can be hard to find exceptional photographs in such everyday light. I and many of my fellow Sierra photographers prefer interesting and unusual conditions — precipitation, broken light, mist and clouds, some haze.

On the final morning I was up and heading into the Valley well before sunrise. The light was unspectacular, with thick overcast cutting off the morning light. But then I caught sight a bit more light in the east, and soon I saw some breaks in the clouds. Within fifteen minutes the conditions opened up and I was treated to an exceptional spectacle of light and clouds and landscape that lasted for several hours, during which I photographed continuously.  I made more interesting photographs during these few hours than during the rest of the visit.

Clearing Clouds, Merced River Canyon
The morning sun breaks through clearing clouds above Merced Canyon

To state the obvious, “exceptional” and “unusual” conditions are not the norm. The blue-sky “blah” light is. If you show up on ten randomly selected days, nine of them are going to be, literally, unexceptional,  and if you are looking for something unusual and beyond-the-norm you aren’t likely to find it.

The basic lesson is simple: The more you are out there the more likely you’ll be out there for something great. Continue reading Improving Your Odds: That’s Why They Call It “Exceptional”

A Photo Per Day Since When?


See July 3, 2005 post)

I was helping out at a friend’s workshop earlier today, and he mentioned to the group that I have been posting a new photograph every day for a long time. He turned to me and asked, “How long?”

I’m actually not quite certain. The first photograph posted at this blog was on July 3, 2005, when I shared a black and white photograph of the Golden Gate Bridge. Look back through those early posts I can see that at first there were gaps between posts, sometimes of a day or two, and perhaps a bit longer on a few occasions. But shortly after that I decided to try to produce work (not always “great” work) at a rate such that I could post a new photograph every day — so it seems like it must be getting close to eight years now.

I’m occasionally asked a few other questions about this project:

Why?: The main idea comes, I think, from my background in music, a field in which it is simply accepted that you must make work (e.g. – “practice”) continuously, both to develop your skills and to make them become instinctive.

Do you think you can produce a great photograph every day? No! Making a handful of excellent photographs (at least in the genres I focus on) every year is a worthy goal. Essentially, I’m exposing my “practice” work to the world, partly to encourage myself to take the work seriously and partly to share the process with others.

Do you actually go out and make a new photograph every day? Again, no. I produce work at an overall rate that lets me post something every day, but there are many days when I make no photographs… and other days when I make quite a few.

Questions or comments? You can leave them here on this post.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.